The WHAT IS.

My brother and I break off the rail trail and hike up a spur trail. I haven’t been here before, but I once lived on the side of the moutanin where we now head. July, neither hot nor cold, we’re in shorts and t-shirts, walking and talking, laughing about things only siblings seem to hold. It’s just us and the hermit thrush and mosquitoes. We’ve left phones and work behind; maybe it’s 1978 again.

A few hours later, we descend steeply into the other end of town, where Cooper Brook runs by the liquor store, Dollar General, a snack shack. Through goldenrod, we walk along the sandy former railroad bed. A dense forest shelters around and turns the trail to muddy ruts, stones washed slick with recent rain. Frogs leap from puddles. I step around a wide toad.

My brother’s visited many times, most with me, some alone in my house while I was in the hospital. In the evening, we pick up the tour again, walking through the brushy path to the cemetery that seems to delight only me. Ticks! Blackberry brambles! It’s just a short stretch, and I strangely revel in this tangled passage, as if a portal from home to village, sweetened with black raspberries. We stop and visit a new neighbor, then trek again downtown, to the river where workers have been re-armouring the granite walls all summer, pouring footings for a suspension bridge.

I point out the shop where friends feed feral cats—one sleek creature sitting in the driveway, watching—and the house that burned and a woman died. My map of the town unspools: the apartments with the overdoses, the former inn where, in a garret room, I once met a therapist in a rainstorm whose dogs lay on the floor and I begged her to salvage my life from a chaotically breaking marriage. As I stared out the window at the rain crashing on the porch roof below, I realized whatever salvaging was going to be done had to be done by myself. Downstairs was a now closed-up bakery where I bought donuts with my youngest daughter. The superintendent’s office where I attended a hundred school board meetings. The river’s edge, where I gathered white pebbles with my daughters and created a rock garden.

Countless treks around this little town. Mid-July, neither hot nor cold, the wind still, the river low. I’ve seen the town flood, brutal cold descend. Atlas I’m creating of manifold layers.

…. and a thank you to David Goodman of VTDigger for this podcast with the writer Catherine Tudish.

“Prayer” by Galway Kinnell

Whatever happens. Whatever
what is is is what
I want. Only that. But that.

“The present pushes back the life of regret.”

Lucky, lucky to reading in such charming backroads Vermont places. Lucky to be driving with a companion who gets me there via google maps and keeps me company on the drive. I’ll read at The Norwich Bookstore tonight, that familiar trek down I-91, but this time turning at Exit 13, not east towards Dartmouth Hitchcock Medical Center but east towards the literary world. With deep satisfaction. (Book signing Saturday, July 18, at Phoenix Books in Burlington, 1-3pm)

A friend stops by and cautions me that thunderstorms and hail, maybe fire and brimstone are expected tonight. I laugh because, well, why not. There’s those cliches about life’s a journey and so on, reductive things for a bumper sticker or card, with of course a soul of truth. Early evening, I read under the butternut tree, sparrows chittering, a woodchuck grazing beneath the lilac hedge. I’ve been here before: such a gorgeous wild sprawling summer, and already the days are dampening at each end, just the merest. The neighbors drive up, cheery and sweaty from baseball, and agree yes, more sun, more summer. The woodchuck looks up, untroubled, and munches on. I think, I could get a dog. Or not.

A mosquito bites my big toe. Swifts dart above my head.

The present pushes back the life of regret.
It draws forward the life of desire. Soon memory
will have started sticking itself all over us.
We were fashioned from clay in a hurry,
poor throwing may mean it didn’t matter
to the makers if their pots cracked. — Galway Kinnell

August Light.

A neighbor paints her house turquoise with salmon and forest-green accents. The colors are up for discussion on our short dead-end street; myself, I love this blue and speculate how cool it would be to transform our houses in a Vermont village version of San Francisco’s Painted Ladies.

Mid-August (already?!), rain has ceased. Our lawns are all cropped short and no one’s mowing. Late afternoon, watering the perennials I planted this summer, I eat sun gold tomatoes in the garden, the sandy loam warm beneath my feet. This summer, endeavoring to heal from lymphoma and surgery, I retreated into my garden, writing, walking. Pay attention, I cautioned myself. Take time to visit my neighbors and talk about shades of blue.

Survive cancer (and cancer treatment), and you discover the world has the same facts (the electric and property tax bills, the need for steady income, spilled oatmeal in an upper kitchen cabinet, a hole in the chimney that needs repointing; these chores jostle on my post-it lists) and the questions that muse through my mind in yoga practice and wick away (why?: an apple tree shedding leaves, a clandestine coffee klatch, my recurring expectation that I may see my dead mother around street corners….)

Vermont’s radiant summer rolls into balmy autumn. The rain may commence at any moment, or might hold off until snow and sleet. The winter will be whatever it will be. In my own realm, I soak up this end-of-summer stillness, water the new transplants, wake each morning, yet alive. A low bar, or, conversely, the highest I’ve set for myself yet.

Prayer

Whatever happens. Whatever
what is is is what
I want. Only that. But that. ~ Galway Kinnell

Stockpiling

As the garden withers for the winter, I collect seeds — tithonia, marigold, coneflower — pulling the dry seeds with their tufted ends with my fingers, secreting them in my coat pockets.

My daughter takes a handsaw to the mammoth sunflower stalks fencing the garden, their heavy heads picked nearly clean of seeds from marauding birds. From a scant palmful of seeds, what pleasure these beauties have given us this summer. Now, the birds and the scavenging squirrels feast, too.

A friend stops by with a bare peony root, cushioned in paper, transported in a Negra Modela box. I’m out that evening. When I return, my daughter carefully unwraps the root — not merely a stick but a complicated branching — and then lifts another smaller root. Good luck, she says. They may not grow.

Or, they might.

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

— Galway Kinnell

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Juncos flock the double glass doors in our kitchen, tantalizing our cat.

Local Wanders

When I lived on 100 acres in fairly rural Vermont, I didn’t imagine we’d change that story. 100 acres is a large chunk of land, and those 100 acres didn’t end at any boundary save a single dirt road along one side. The corners were rebar pins, surrounded by thousands of acres alive with fisher and bear and moose, jack-in-the-pulpit and hobblebush.

Living in Hardwick village now, the wild still surrounds us. Along our former road, tumbled-in stone foundations are reminders of farming families, who at some point packed up and moved along.

Yesterday, we walked along the railroad tracks, walled in at times by forest, and crossed the Lamoille River over a questionable bridge, hidden in this oh-so-June green beauty behind the town. I could imagine a hundred years ago, terrain cleared around the tracks, the rail bed studded with cinders. Save for the four of us, we saw no one but a crow.

The first step … shall be to lose the way.

— Galway Kinnell
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Photo by Molly S.

Our Lives, Seen and Unseen

A few minutes early to collect the 12-year-old and her friend from track practice, the 19-year-old and I take a walk around a neighborhood circle near the high school, passing a house I considered buying but didn’t.

Full of excitement about her morning, my daughter talks on and on, her happiness as visible as red-breasted robins in a bare-branched maple tree. We pause for a moment before the three-story house, with large original windows on the first and second floors, bordered at the top by ornate stained glass. The owner confessed the windows leaked air profusely but couldn’t bear to replace them. The house is no longer for sale; my daughter and I speculate the family still lives there.

We walk by another house flanked by five sugar maples, the trees young enough to live for many more decades.

Robins, both visible and hidden, sing.

My daughter and I pass these houses and these possible lives our family might have taken but didn’t. Then we’re back at the high school, still in the cold and clear March sunlight, beside a maple filled with robins fluttering their wings, chorusing in the beginning of spring.

I know that I love the day,
The sun on the mountain, the Pacific
Shiny and accomplishing itself in breakers,
But I know I live half alive in the world,
I know half my life belongs to the wild darkness.

— Galway Kinnell

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