Egg

A steady May rain turns up the most beautiful things: bits of green leaves on our two pear trees, the slender stems of lily-of-the-valley, gold coins of bright yellow dandelions in the greenest of green grass. Inimitable green.

Years ago, I drove through hayfields rich in dandelions to take my daughter to preschool. She was four when she first called me on the telephone, her tiny voice over those black lines.

Yesterday, while I was at work, my youngest texts me, just a single line: We have an egg.

I stand there for a moment. I’ve propped the door wide open in the library and opened all the windows. A breeze blows through, sweet with spring air, with that mixture of grass that’s both freshly cut and growing, the way May in Vermont flings itself headlong toward full leaf and blossom.

While two little brothers in the library are chatting at me about Goosebumps books — companionably and nicely — I’m thinking of my daughter in our dim barn, with her four chickens clucking and muttering around her, holding an egg in her left hand.

The Pasture

I’m going out to clean the pasture spring;
I’ll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha’n’t be gone long.—You come too.
I’m going out to fetch the little calf
That’s standing by the mother. It’s so young,
It totters when she licks it with her tongue.
I sha’n’t be gone long.—You come too.
— Robert Frost
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Need Chickens?

In this glossy month of May, a black pile of manure in the tilled-up garden surrounded by emerald-green grass, my 12-year-old suggests we need chickens. With previous owners, chickens lived in our barn for decades, so a home for chickens exists with nesting boxes. My daughter’s friends, many of whom have chickens themselves, say, Of course you need chickens.

Maybe it’s just May, season of sunlight and long days, of wildflowers blooming rampantly, of my soil-dirtied hands and dinner outside, maybe my memories of ice and dark winter are already slipping, since I say good idea, and like that, chickens arrive.

The Red Wheelbarrow

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

— William Carlos Williams

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I’m driving around Barre, Vermont, and can’t find the high school, so I pull into a garage. I glanced at a map before I left work, and figured, what the heck, a high school can’t be that difficult to find.

Two men are in the garage, and I ask for directions. They look at each other and don’t answer. I say I’m headed to my daughter’s track meet, and do I turn left or right?

One of the men says, You better follow me. I’ll take you there. It’s not where you think it should be.

So I follow this man in his Toyota, about six minutes down the road, and then I see the bleachers first and then the high school.

He puts on his blinker and waits until I turn in, my arm raised out the window.

The mother I’m meeting MapQuested the school. The meet’s long, and we have time to begin to know each other, back and forth, in bits of conversation.

The trees are just beginning to push out green. Barre, Scary Barre, which always reminded me of the saddest parts of Manchester, New Hampshire, when I was a kid, where streets of once gracious houses were crumbling into sad and broken dreams. On our way home, my daughter and I stop at a 50s-style hamburger joint, where I buy a vanilla milkshake for my daughter from a sweetly cheerful teenage girl. The milkshake is the one of the best we’ve tasted in years.

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Journeys, More Journeys

Near the end of the last century — which really wasn’t all that long ago — my then-boyfriend and I spent a lot of time driving around the country. We were so young, and time seemed like an endless well we might draw from forever.

The other night, driving to the airport in the descending dusk, I remembered blood-red sunsets as we made our way across the midwest.

I think of the decades of my pre-children life as two-dimensional, although I know that’s not true. But when I became a mother, my own life grew, too, in ways I had never imagined.

In Burlington, I looked for a cup of coffee, but in that end of the city nothing was open but a Shell station where I saw a man bent over, mopping the floor. I stood in the new spring warmth and didn’t go in.

At the airport, two taxi drivers were laughing outside, talking in an accent I couldn’t recognize. Inside, it was just myself for a while, leaning against a wall and reading, and then slowly the airport filled up. Neighbors unexpectedly met each other, and I heard the update about a maple tree, blown over in a recent thunderstorm.

Then from that infinite night sky, my two daughters appeared, one tanned and one sunburnt, bursting with stories of their journey.

The only journey is the one within.

— Rilke

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Frijoles Canyon, New Mexico

Zeke, the New Friend

My 12-year-old returns from the southwest with the story of a bobcat who slept in the raingutter in her grandparents’ roof. She’s worried about the wild cat, who she thinks is too thin, unlike her own glossy, well-fed kittens.

The cat is my daughter’s main story of her faraway trip — this wild beast who seems remarkably tame and drinks from her grandmother’s bird bath.

Driving home in the dark, I’m listening to my two daughters’ disparate conversations about enchiladas and pueblo ruins and a stranger’s delayed flight. My daughter in the backseat keeps mentioning Zeke.

Who’s Zeke? I ask.

She answers, We named the bobcat Zeke.

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Metaphors

The front of our house has two small glassed-in porches, one on the first floor and one on the second. Since the windows are single-paned, we closed them off for the winter, leaving them as darn cold storage.

Our last house reminded me of a clipper ship, especially under the stars at night, with its tall and windowed cupola. This house, instead, on a hill, reminds me a lighthouse, its windows a beacon we can see all the way down into town.

The cats are happy to have the doors open to other rooms, coffee and laptop a portable office.

Aristotle, on the other hand, saw poetry as having a positive value: “It is a great thing, indeed, to make proper use of the poetic forms, . . . But the greatest thing by far is to be a master of metaphor” (Poetics 1459a); “ordinary words convey only what we know already; it is from metaphor that we can best get hold of something fresh.” (Rhetoric 1410b)

— George Lakoff, from Metaphors We Live By

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Acer on chair courtesy of Ben Hewitt