Stockpiling

As the garden withers for the winter, I collect seeds — tithonia, marigold, coneflower — pulling the dry seeds with their tufted ends with my fingers, secreting them in my coat pockets.

My daughter takes a handsaw to the mammoth sunflower stalks fencing the garden, their heavy heads picked nearly clean of seeds from marauding birds. From a scant palmful of seeds, what pleasure these beauties have given us this summer. Now, the birds and the scavenging squirrels feast, too.

A friend stops by with a bare peony root, cushioned in paper, transported in a Negra Modela box. I’m out that evening. When I return, my daughter carefully unwraps the root — not merely a stick but a complicated branching — and then lifts another smaller root. Good luck, she says. They may not grow.

Or, they might.

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

— Galway Kinnell

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Juncos flock the double glass doors in our kitchen, tantalizing our cat.

Digging Deeply, Vermont Cold Soil

Returning home in the dark, much later in the night than we usually do, my 19-year-old grabs her camera and insists on walking through the dark. She wants a picture of the little white lights she sees from her window at night — where, she’s not exactly sure.

All afternoon, we’ve been in and out of the house and barn in the thin autumn sunlight, shoveling compost and carrying buckets of potatoes and beets. The 13-year-old and I played soccer in bare feet on the cool grass. The 19-year-old baked a cake. Her younger sister gave her curious cat a bath in the kitchen sink.

Like many people I know, my life is jammed with scrawled lists, with dates on the calendar, with attention given to work and money and house and cars — with gardening, with worrying about kids, seeing friends, making sure my desk has a pile of library books. Much of this is pleasant and joy-giving, and some of it — particularly the middle-of-the-night angst of what the hell am I doing with my mortal life — just erodes your soul.

As an antidote, simply this.

In the late afternoon, I snap off kale leaves. Overhead, geese honk — eight birds, followed by five more — calling, arranging themselves in flight, flying so low I hear the whoosh of their wings, as they press on their journey, south and away.

Listen. Slide the weight from your shoulders and move forward. You are afraid you might forget, but you never will. You will forgive and remember.

— Barbara Kingsolver

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Driving, Dancing, Sometime in October

The past few days — as though the deepest part of winter has set in early — I come and go in the dark, leaving early while my daughters are sleeping. When I return, I step out of my car and stand for a moment and gaze up at the inky sky, with that sprawling morass of glittering stars.

To break up the interstate’s monotony, I take Route 2 back to Montpelier from working in Burlington. Blue highway Route 2 follows the Winooski River — native name for wild onion — and cuts through small towns and sprawling farm fields. The corn fields, harvested for the year, are harrowed up, open earth against the mountains shouldering this river valley. Autumn opens up the landscape, sheds the leaves from the trees, and reveals more clearly where we are.

Where we are is the first scattering of snow on the ground yesterday morning. Soup simmering on the stove with what I’ve pulled from the garden — carrots, sage, beans, kale. Driving home, I switch off NPR and empty my mind of the day’s talk at work, of midterms and opioid use, of struggling to use writing to make sense of the world.

In our kitchen, my 19-year-old cooks bacon. I ask how the day’s gone. She says her ears are throbbing. The 13-year-olds had a dance party.

Rock on, I think. I close the curtains and ask if the chickens are shut in for the night.

We climbed stiffly out of the car.
The shut-off engine ticked as it cooled.

And then we noticed the pear tree…
and we each took a pear,
and ate, and were grateful.

— Jane Kenyon, “Coming Home at Twilight in Late Summer”

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Milkweed Season

Walking through a field on my way to the post office, I find tasseled milkweed seeds, strewn across the trampled grass.

When she was a toddler in a hand-me-down stroller, my now 13-year-old loved to pick apart milkweed pods and let the seeds drift from her tiny fingers.

I doubt she’d remember those windy autumn days, this child who was always so quiet. But I’d like to think, deep inside her, those hours worked their magic, as she watched those seeds rise into the breeze and disappear.

….Two days ago I walked
the empty woods, bent over,
crunching through oak leaves,
asking myself questions
without answers. From somewhere
a froth of seeds drifted by touched
with gold in the last light
of a lost day, going with
the wind as they always did.

— Philip Levine, “Milkweed”

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Pink Infatuation

A friend of mine once said she aspired to have everything in her house handmade. She’s a potter, and we were sitting at her table, set with plates she had made, and clay mugs she’d swapped with potter friends. A pink Hello Kitty plate was at her daughter’s place.

I love this goal — and that she didn’t give her daughter any grief about the Hello Kitty infatuation.  Her daughters — teenagers now — have left the Loving Pink realm, like my own 19-year-old, once so ecstatic about pink overalls my mother had mailed her.

Pink, she told her friend with reverence, lifting the bib.

We are now out of the Loving Pink realm, too.

writing is rebellion. Art takes place when we’re unable to accept the boundaries we inherit, when we’re compelled to reimagine what others are willing or even eager to receive.

— Kim Brooks, Small Animals: Parenthood in the Age of Fear

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October Gardening

In the garden this late afternoon, a slow-moving bumblebee sways on a Mexican sunflower blossom tucked beneath a great sunflower leaf, its tender orange spared from frost. With a knife, I cut broccoli.

Every bit of sunlight we can get, I take — and urge my daughters to take, too.

The trees are throwing their leaves away. This time of year, some trees hold green canopies, while others have already emptied their branches.

Calligraphy of geese
against the sky —
the moon seals it.

— Buson

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Gabriela, Wheelbarrow