Birds are a Kind of Souls.

I’m sitting at the kitchen table talking with my daughter about past, present, future — one or all of those mixed in together; it’s late adolescent talk; the future hovers around us all the time, all day long — when I see a robin swoop up to our porch beam, its beak full of limp weed.

For the first time in the half dozen years we’ve lived here, robins are building a nest a few feet from our kitchen door.

In our other house, robins crafted fat nests in our sugarhouse and under our balcony. We witnessed baby beak feedings and collected blue ragged shells. Twice, a hawk ate fledglings — the course of nature, but sorrowful.

Rain has fallen all day. There’s an underlying promise of deepening green with the rain, but the hours have been cheerless and cold, filled not with any bad news but the accrual of petty things that drag at all our lives.

A robin stands on the porch railing, eyeing us through the glass door. Its mate flies in quickly, busy busy in the nest. Time is of the essence in bird movement. The robins are a little story come to stay with us for a short while.

Build and thrive, I think. Thrive.

“I was convinced that birds were kinds of souls. Not the souls of people but of previous birds whose mystery and beauty were so necessary on earth that God would not allow them to be anything in their second life but birds again.” 

— Howard Norman

Vermont’s Foundation: Freedom and Bread

A possum circles in the highway, no doubt startled by my headlights. It’s past midnight, and no soul’s around. I drift into the other lane and let the possum do what it wants to do.

I’m listening to the radio playing the Rolling Stones and thinking of a David Budbill poem I read that afternoon, about Vermont’s colonists and centuries of following folks, seeking freedom and bread. The possum is definitely seeking her or his own version of possum bread, but freedom…? The question looms large. I haven’t far to drive this night, but the words stick with me — bread and freedom — surely two of the main drivers in my life, likely in yours, too.

The peepers are lusty along the Lamoille. The air reeks of wet mud, of that sweet fecundity of spring.

At home again, we lie down with the windows open. I hear the teenagers talking and laughing before they slip into the thickness of young sleep. To ward off the night’s gloom and cold, I’d started a small fire in the wood stove. Through the open window now drifts smoke. In these May days — both hot and chilly — I’ve moved my wood piles, again, as I tend to do, raking the bark and broken bits to dry in the sun. Foolish, perhaps, to keep a fire smoldering while the bedroom windows are open. Or maybe simply a kind of freedom.

What Is June Anyway?

After three weeks of hot weather and drought,

           we’ve had a week of cold and rain,

just the way it ought to be here in the north,

            in June, a fire going in the woodstove

all day long, so you can go outside in the cold

            and rain anytime and smell

the wood smoke in the air.

This is the way I love it. This is why

           I came here almost

fifty years ago. What is June anyway

          without cold and rain

and a fire going in the stove all day?

— David Budbill

Our Moon Shone on Helen of Troy, Too.

Rain falls in the night, a pattering through the open window on the mock orange bush. The rain winds through my half-asleep dreams of different places I’ve lived with open windows and falling rain. I’ve often thought of the moon as my constant, my anchor in the arc of the universe. Moonbeams fell on Helen of Troy’s face, too. But spring’s gentle rainfall? Such a sweet sound.

A rouge frost browned pieces of our May world, and the rain promises deeper green. The morning after the frost, a man in line at the post office told me he’d lived in Vermont all his 63 years and had seen frost in July. I detailed the frost damage to my daffodils; he shared his apple blossom woes.

July? I asked, are you sure?

He laughed, quite sure indeed.

As I lay listening, the morning songbirds began, a snippet, then a rising thread of song, pushing away the night.

Random Spring Scrawlings.

Back about a hundred years ago when I started to read, my elementary school had these large books with colored pages. I read only on the right-hand pages, then flipped the book upside down, and read on the other side. The net effect was a perpetual mystery: I was reading forward, but there was always this tantalizing upside down text on the left-hand side. Could I dart my eyes there and jump ahead in the storyline?

The storyline had castles and princesses. I think of these books every spring, because Vermont spring colors are so darn brilliant — just like those colored pictures.

I’ve never seen those books again, although I searched for them for my own daughters.

May. Let’s never sugarcoat anything, never cheapen our world into an Instagram I’ve got more than you post. Snowflakes fell yesterday, even midday, swirling flakes. My daffodil petals were gnawed around the edges this morning. But it’s May. Spring alone: reason to live.

The First Green of Spring

Oh sure, the May sunlight, the way the steady breeze tosses the growing grass all day, tugging new leaves open — the robins and sparrows chittering and nesting, singing as they fatten their nests, get their bird family going — even the woodchuck grazing beneath the apple tree, feasting on violets and fattening its sleek being — all beloved, all dear — but really, it’s the tree blossoms, the spring beauties, the dutchmen’s breeches, the Johny jump-ups scattered in whatever way and whatever place they need to emerge. What a world this is, our Vermont May season. Flowers.

Here’s a poem from David Budbill.

“The First Green of Spring”

Out walking in the swamp picking cowslip, marsh marigold,
this sweet first green of spring. Now sautéed in a pan melting
to a deeper green than ever they were alive, this green, this life,

harbinger of things to come. Now we sit at the table munching
on this message from the dawn which says we and the world
are alive again today, and this is the world’s birthday. And

even though we know we are growing old, we are dying, we
will never be young again, we also know we’re still right here
now, today, and, my oh my! don’t these greens taste good.

Remember.

Not long after dawn, under circling pigeons, we get on a train to the Rome airport. I’m nearly certain our tickets aren’t valid. My phone’s app shows me a mixed message of a cheery You’re all set! and a stern Seats reservations required! I can’t figure out where the tacky-tacky box to check to shell out for reservations might hide. The train car is nearly empty. My daughter and I sprawl out with our suitcases and backpacks. In a luminous honeyed light, the train winds out of Rome. We pass immense apartment buildings with balconies crammed with tables and chairs, hanging plants, yesterday’s laundry.

A conductor walks by, returns and holds out his hand. He speaks to me in Italian. I answer in the one language I command and point to the cheery sentence on my phone. The train picks up speed.

“Remember,” he tells me and disappears into the next car.

Remembering has always been my strength and my weakness.

As a girl, my family used to take the train from New Hampshire to Boston for the day, excursions crammed with cobblestone streets, swans, pastries, history, the ocean’s salty breeze. On this Italian train, my daughter, 17-on-the-cusp-of-18, presses her suntanned face to the window. Crimson poppies bloom along the tracks. Before we left on this trip, a friend told me the adage about pedestrians in Rome — the quick and the dead. Quick we are this morning, on this train with our baggage of wrinkled clothes, a few gifts, those library books I finished reading. A man stands on a sidewalk, smoking a cigarette, studying the train as we sway along.

The next morning, not smoking a cigarette, I stand beside an apple tree in my yard, studying a woodchuck who’s set up housekeeping in a den, the creature returning my gaze, eyes glossy, inscrutable.