A sense of urgency…

My youngest and I are watching a track-and-field race in the Olympics when a commentator remarks that a runner needs to up her sense of urgency to medal. In the humid night, the fan whirring through the crickets’ amped-up August songs, I keep riffing on the sense of urgency… My god, what does that actually mean?

Early August, and I always remember Hayden Carruth’s poem “August 1,” its line: The world is a/complex fatigue. Which perhaps sums up these days, so humid the yellow coreopsis flowers gleam, the cats sprawl on the kitchen floor, hungry for coolness. This summer has been fat with growth, the butternut and walnut trees I planted seven years ago spreading into their own canopy, already offering shade for me to lie beneath, as I read in the late afternoons.

Someday, perhaps, I’ll look back at this year as it’s own of kind of waiting — which way will this world tip? Even as I’m busy, busy with my urgency of work and gardening, my perpetual lists, of finish these three projects and then paint the back of the house, the outside world burrows in. Some of this is our own story, as my daughter heads back to college soon, but some are my own observations — the two battered cars crammed along the riverbank from the last flood, the perpetual national dialogue — and my wondering, which way might this go?

Urgency, raw want. At the farmers market, I see my daughters’ father across the field, appeared again from wherever he’s hidden. I hold a hot cardboard box of dumplings while the market crowd swirls around me. I turn to talk with a friend and when I look back again, he’s disappeared. Meanwhile, dumplings and curry in my hands: the urgency of eating, the words and life we’ll share over this savory meal, this evening, these moments.

August First

Late night on the porch, thinking

of old poems. Another day’s

work, another evening’s,

done. A large moth, probably

Catocala, batters the screen,

but lazily, its strength spent,

its wings tattered. It perches

trembling on the sill. The sky

is hot dark summer, neither

moon nor stars, air unstirring,

darkness complete; and the brook

sounds low, a discourse fumbling

among obstinate stones. I

remember a poem I wrote 

years ago when my wife and

I had been married twenty-

two days, an exuberant

poem of love, death, the white

snow, personal purity. now

I look without seeing at

a geranium on the sill;

and, still full of day and evening,

of what to do for money,

I wonder what became of

purity. The world is a 

complex fatigue. The moth tries

once more, wavering desperately

up the screen, beating, insane,

behind the geranium. It is an

immense geranium,

the biggest I’ve ever seen,

with a stem like a small tree

branching, so that the two thick arms

rise against the blackness of

this summer sky, and hold up

ten blossom clusters, bright bursts

of color. What is it — coral,

mallow? Isn’t there a color

called “geranium”? No matter.

They are clusters of richness

held against the night in quiet

exultation, five on each branch,

upraised. I bought it myself

and gave it to my young wife

years ago, in a plastic cup

with a 19cent seedling

from the supermarket, now

so thick, leathery-stemmed,

and bountiful with blossom.

The moth rests again, clinging.

The brook talks. The night listens.

“The apparition of these faces in the crowd…”

In the Albuquerque airport, I’ve tucked myself into a corner, editing a manuscript and drinking coffee, when suddenly I see the small airport is jammed. I pack up my things. In search of my gate, I ask a man if he’s headed to Chicago. “Houston. We’ve been deplaned from the tarmac, twice, and I’m pretty sure everyone here is about to have a nuclear meltdown.” Edging away, I hear a woman cajole her child to “let daddy figure this out.” The ruddy-faced daddy glares at a monitor.

At the terminal’s far end, I join an elderly couple (retired psychiatrists), a pediatric oncologist, and a mechanic who’s hoping to visit his mother before her open heart surgery. They tell me the news of Biden’s withdrawal.

Our plane has not arrived, and we step to one side of the swirling crowd. The oncologist shares that he’s been a fan of Biden. Such suffering in that family, he says; it changed him. The psychiatrists nod, listening. He tells us that his experimental research department received a flood of funding, but that’s all ceased now, with staff layoffs in anticipation of the election. He plans to retire in a few years and return to Botswana to volunteer. I don’t want to be dismal, he says, but the need for help won’t end.

We spy two pilots, admire their youth — but not too young — and gladly note they disappear through a door towards the tarmac. The loudspeaker voice informs us the pilots will have a short meeting with the cabin crew and then we’ll board. We’re not quite sure what that huddle is about — go team? keep the plane in the air? — and the oncologist muses that airports are one of the few places he’s experienced where strangers keep the social fabric together. No one, he tells us, says anything to strangers on D.C. public transportation.

That does not bode well, I think.

Just before we board, we shake hands and wish each other well. All these matryoshka doll layers in us: I walk down the ramp with the sign maker, who confesses his worries about his mother. Like a kind of magic, then, we’re in the air. Hours later, I land in Burlington, Vermont. Under a crimson full moon, I cross the street. The night sprinklers are watering a swathe of grass. All those dark miles of driving ahead of me. At home, the hydrangeas shine in the moonlight, boughs weighted with blossoms touching the ground.

IN A STATION OF THE METRO

The apparition of these faces in the crowd:
Petals on a wet, black bough.

— Ezra Pound

Hand-me-down mud boots.

These few days I’ve spent in New Mexico, my mother is a constant presence and absence. She’s powerfully here, in her sunny kitchen or in the stacks of empty flower pots in the garage. Yet, she’s vanished, too. All night, the desert breathes into this house, sage-sweet wind and coyotes barking and the robin songs here, too, like in my Vermont world. These days, the skies have been layered with lightening and sooty storms, golden sun, the blowing gritty sand that scours my skin to softness.

The world far beyond my small family’s sorrows teeters towards deceit and collapse. There’s no inoculation against any spiritual ailment, really. Measles, sure, but never the terrifying largeness of grief or rage, or losing safety or love. Which leads me back to the photo above, my little daughter as she was at our kitchen door, in her hand-me-down mud boots and a handmade cotton dress, carrying stalks of garden-cut kale. A reminder never to sentimentalize or diminish the rugged and real lives we live.

A Pretty Song

From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.

Which is the only way to love, isn’t it?
This isn’t a playground, this is
earth, our heaven, for a while.

Therefore I have given precedence
to all my sudden, sullen, dark moods
that hold you in the center of my world.

And I say to my body: grow thinner still.
And I say to my fingers, type me a pretty song.
And I say to my heart: rave on.

— Mary Oliver

“Everything blooming bows down in the rain…”

In the sultry dawn, I’m wandering barefoot in the garden, snatching the lingering strawberries before birds have nabbed the remainder. By late afternoon, thunderstorms have settled in. I’ve left a wooden chair on the porch, a throw rug over the railings, both sodden now. Book in my hand, I lean against our house’s dusty and pollen-layer clapboards, reading in the coolness that’s washed in. Our porch looks out over a bed of bleeding hearts, false Solomon’s seal, hostas. Beyond that, the cemetery, the river valley below. Behind our house, the wild presses in. Ferns tall as my shoulders, goldenseal, the groundhogs, thrush, chittering sparrows, the cut of ravine and the great life there.

Equinox; the lushness burgeons. Bring it on. The rain blows through the bedroom screens whose windows we left open all day. The box elder shoves between the porch railings. The grapes rise hungrily against the barn. All night our rooms are filled with moonbeams, the blowing dew, the mixture of milk trucks rattling down the road and the calling frogs.

Everything blooming bows down in the rain:

white irises, red peonies; and the poppies

with their black and secret centers

lie shattered on the lawn.

~Jane Kenyon

Seven years ago…

Seven years ago, my daughters and I moved from a rural hillside down to a village, about five miles away. I’d closed midweek, with plans to rally help for a Sunday move. The evening that I closed, two friends who had followed the jagged path of my divorce loaded up my car and their cars, and we carried in the first load of my family’s belongings.

It was heavenly June, warm without undue heat. I had no furniture. A friend had brought dinner, and we sat on the back deck, eating and talking. I wondered, which way would my story go? Last night, I remembered this first meal here, when a neighbor stopped by with cake and rhubarb sauce: how complicated life is and, sometimes, how very simple.

Now, in this beginning to a lush summer, I water my seedlings in these early mornings, listening to the birds and spring crickets, the drenching dew over my bare toes. The spinach is already wilting. The tithonia drooped dramatically, beginning for extra water. The blueberries have hard knots nestled among their leaves.

So much of life seems impossible — birth a baby, endure a divorce, survive a death, write a book, write another, pack up a house and move (bring the beloved tricycle, too) — and yet we do these things. We all do these things.

Seven years ago, would I have seen myself watering the sprouting green beans and listening to a woman on my neighbors’ porch sing the blues, the sky streaked with turquoise and crimson? I gathered a bowl of strawberries from plants I’ve let run rampart all through my garden beds. Messy, weedy. My youngest was given these plants when she weeded as an odd job in middle school. This year, the plants have given us so much sweetness.

Record temps are moving into Vermont, the world shifting rapidly. Around the globe and in my town, people are on the move. Which way will this story go? For a moment, I gather berries in the dewy morning. So much more day to come. But a steady start, my soles on the damp soil.

Dad and Father’s Day.

When I was a kid, in moments of stress or elevated high jinks, my dad’s sense of humor rose. He was prone to things like putting grapes up his nose while my mother wasn’t looking to make us kids laugh. This was the camping trip to the Grand Canyon, when the clutch went on our old Jeep, and my dad was fixing it whatever he might have had at hand — a pliers and a fishing hook , maybe two rocks rubbed together in prayer, for all I know.

That same trip, someone was on the lam who had once also been a Navy Seal. We hiked into the canyon, passing sharp shooters at the rim. Don’t look, my mother said. Sometimes I wonder, Whatever happened to him? Did he have kids?

My parents never hesitated to get out our atlas, the essential road tripping gear. Looking at the map with my youngest recently, I chanced on Medicine Bow, Wyoming. We camped beside a man who lived in his canvas tent. While we were hiking, a lightening storm blew up, and my father hustled us down. As a kid, our sometimes peripatetic life was status quo, all kinds of living mixed in. I could list a 100 things without stopping that my dad taught us, all darn useful — like read Plato and follow water when you’re lost in the wilderness — but the one I keep returning to these days, now that I’m along in my life, is his utter persistence. A parent now myself, I think of him in the Grand Canyon with three young kids and a skeptical wife, with hardly any money and a broken-down Jeep. He patched it together. We kept on with that journey, thousands of miles, all those nights in the desert under the stars. At the wheel, he drove that Jeep for many more years.