[Traveler, your footprints]
By Antonia Machado
Translated by Mary G. Berg and Dennis Maloney
Traveler, your footprints
are the only road, nothing else.
Traveler, there is no road;
you make your own path as you walk.
As you walk, you make your own road,
and when you look back
you see the path
you will never travel again.
Traveler, there is no road;
only a ship’s wake on the sea.
I stopped in a wood stove/chimney sweep shop in Montpelier, looking for a replacement length of insulation for my stove.
I’d bought the stove in 2020, in that strange period when some businesses had reopened; Vermont’s mask mandate was brand-new. I was looking to install a metal asbestos chimney in my 100-year-old house, determined to heat this house with wood and not rely on oil. I was new to wearing a mask. My teenager waited in the car.
Four years later, on a rainy morning, I stop in and two men are warming themselves at glowing stoves. I ask my question about the catalytic combustors and insulation wrap. One man reaches in a stove and pulls out a honeycomb piece. He asks me if I’ve taken my stove apart. Yes, I answer, and I’ve put it back together — not once or twice, but regularly.
The store is on the retail strip between Montpelier and Barre, and the greasy scent of the never-closed McDonald’s pumps through the damp air. On that same 2020 trip, I texted a staff member of the state’s Department of Libraries about hand sanitizer. The department was closed, of course, and I never met this woman, who left me sanitizer and children’s books. We wrote back and forth to each other, and then she vanished elsewhere into a job, or so I guessed, a different phase of her life.
This morning, my daughters and I park at the edge of town and follow the running water: tracking uphill from river to streams. The mushy snow melts in the rain. Three geese fly overhead, clamoring. There’s that famous line from ol’ Henry David Thoreau: the coming in of spring is like the creation of Cosmos out of Chaos and the realization of the Golden Age. On this March morning, the silty waters running high and fierce, Thoreau’s chaos line returns to me. My old familiar, chaos, the companion sometimes in my pocket, sometimes in my face.
Then, this: the evenings are beginning to stretch with light, rich with the scent of wet earth. Last night, my daughter and I pull on our jackets again and head out into the damp world, in hopes of red-winged blackbirds. A no go, yet. But halfway through, I interrupt her and say, “Robin.”
And again, “Robin.”
In a former garden I tended, I planted elecampane whose yellow blossoms bloomed over my head. The plant spread along the garden’s back edge, a natural fence between the bed where I planted greens and tomatoes and the field where I sowed potatoes. We had reclaimed that stretch of field from the forest, and the sparse soil was hungry for manure and the cover crops we rotated.
Now, in search of elecampane to transplant, I find this flower, the long ragged-edge leaves already fading from this year’s growth, the greenery not particularly lovely. I plant this strange flower before our house.
Flowers have the undeserved rap of girlyness, of flimsy decoration, of false medicine. Not so, not so.
how quiet
— Issa
the light-blue morning glory —
such good manners
I keep writing about this flood, because the flood’s marked our summer: before and after. I’ve written that our house was spared (thank goodness, thank goodness), but the pieces are all around us. Immediately post-flood, such an outpouring of generosity, and then, the predictable, the wearing down, the exhaustion, a growing sense of uncertainty. Rain falls and falls. We can no longer ignore that the summer has been wet and cold. And yet, how selfish it feels to complain, when we are in the Shire of Vermont.
My own saga unfurls publicly in the wake the flood. The property my ex-husband owns is posted for a tax sale; it’s been six years since he paid more than pennies on this bill, sovereign citizen that he is. My name is posted in the tax sale, that the Court removed my name from the deed in our divorce. I’m drawn into his life again, the facts of my life bantered about with people I know and those, I’m sure, I’ve never met.
The property is valuable — 92 acres with a large sugarbush. In the midst of this, someone I know from long ago phones me. The morning is dark, and I haven’t turned on any lights. His words are so kind it’s like sunlight in this gloomy summer. There’s no resolution here, no possible decent outcome. I will likely never speak to my former spouse again. I’ll never own this property. And yet, my life will hopefully go on and on, for decades yet. For these timeless moments, I drink in that unbidden kindness, let it fill me. I feel it within me, the possibility of how my life might turn.
And, because it’s August, one of my favorite Hayden Carruth poems, August First.
Late night on the porch, thinking
of old poems… The sky
is hot dark summer, neither
moon nor stars, air unstirring,
darkness complete; and the brook
sounds low, a discourse fumbling
among obstinate stones….
I wonder what became of
purity. The world is a
complex fatigue.
I was warned about the sole goose who’s been swimming around the public beach in Caspian. This higher-elevation glacial lake escaped the flood debris.
On the hidden side where I drop my towel, there’s only a couple of teenagers making out on a rock. When I slip into the water, I hear the families and crowds of teens on the distant public beach, the laughing rowdiness of a July Sunday.
The water is far deeper than I’ve ever seen it, choppier, too, but clear and lovely. Although I’m not a strong swimmer, I head far out, beyond the buoyed sailboats into the open lake. The goose bobs along. At first, I hardly notice the long-necked bird, but the floating creature follows me. Our paths nearly collide. We’re so near to each other I’m mesmerized by the bird’s size, its bent neck, the clop and chop of the water against my kicking feet. The beach, the blue sky, the rocky shoreline, vanish. It’s just me and this bird, so real, so unbrokenly true.
I don’t often post pictures of myself (or family anymore) but here’s a shot of myself and my brother at his brewery in Conway, New Hampshire. For this record, yes, I am this short (and my brother isn’t especially tall, either). In the midst of so much — floods, rains, wildfire smoke, the endless varieties of chaos that track all of us — I’m always happy to head out on a restorative hike.
That evening, we raced ahead of yet more thunderstorms to get to brother’s house, my daughter driving, me in the passenger seat prattling on about whatever, whatever. But isn’t that the way of family? Thank goodness for joyful moments….
“Be joyful because it is humanly possible.”
— Wendell Berry
Stony Soil Vermont 