Freckled Jack O’Lantern

November is the season of mortality. Driving along the southern side of Morristown this late afternoon, the silage fields were harrowed up, dark earth and stone and pieces of corn stalk laid open and fallow for the winter.

Tonight, while the girls carved pumpkins and listened to music, I sat at my desk in the corner upstairs and called one of my oldest friends. We talked about frozen chickens in my freezer, pork, beets, carrots, cabbage. What do you need? I asked. I offered to make soup from beef bones and marrow. He hasn’t long to live, his life caught up quicker to him than he might have imagined. So many years ago, I met his pregnant wife for the first time. She wore a new dress the color of buttercups. That was in the house of many windows and myriad rooms, surrounded by fields of wildflowers. At a wedding one summer, I climbed rickety ladders in my bare feet to the hay barn’s cupola. That marriage ended. My friends’ marriage ended. Strangers to me now live in that house.

Downstairs, my children hunted for stubs of candles. My older daughter had carved flowers and vines and an earthworm on her jack o’lantern. The younger girl’s pumpkin had ears and eyelashes, smiling lips, hearts for hair, and freckles – freckles! – over bumpy orange cheeks. I struck a match and carefully put my hand in the pumpkins. We turned out the lights. The girls’ jack 0’lanterns glowed.

Abandoned house on a
mountainside.

Garden gone to
weeds.

No one home
anymore.

– David Budbill

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Morristown, Vermont, November

The 10,000 Things Bloom

Vermont’s June surges in a melody of the ten thousand things madly growing .  In this fine evening, walking along my dirt road, the landscape hums with life.  On this road, I’ve also been sleeted and hailed upon.  Rain in every imaginable form — from the merest brush of mist to buckshot — has fallen on me.  Snow, of course, snow, snow, snow, in all its myriad Vermont shapes, has graced my shoulders.  But today, this very evening, right now, the air is redolent with wild roses blooming.  This is the season of lupines and iris, of daisies and forget-me-nots, and I intend to savor June in its moist and delectable sweetness.

With another Vermont novelist today, Sheila Post, we discussed landscape in Vermont writing, and this evening I am suffused with landscape, the sheer loveliness of this summer evening, this place and this time, already fleeting.

QUESTION AND ANSWER
after Li Po

You ask me
why I live on
this green mountain.

I smile: no answer.

Come.
Live here
forty years.

You’ll see.

– David Budbill

 

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Early Corn

When I left the hospital ten years ago with my newborn daughter, June had arrived while I spent those days in the birthing center.  Every day that May, it had rained, cold rain and humid sticky rain, all day rain and brief passing showers.  Every variety of Vermont rain had stormed that month:  a rainy season to cap a pregnancy that, by its end, I felt near to drowning with its effort.  Walking up the stairs, I had to linger on the landing and gasp for breath.  Sleeping, I startled wake, choking for air.

But when we left, we drove past black-soil farm fields freshly plowed.  In regular furrows, early corn had sprouted during those few days of my confinement.  The pregnancy over, my healthy and whole infant in my arms, I was jubilant, and the earth herself appeared rapturous.  That summer proved especially dry and hot.

On this Memorial Day, May 30th, a day of sadness beyond sadness, here’s a David Budbill poem from Happy Life:

Early June

Hard rain all night
morning rags of mist
hang scattered
between the
blue-green hills.

photo by Molly S.

photo by Molly S.

This Sweet Early Spring

Here’s some David Budbill lines on this spring evening:

… all this, this sweet

      early spring —

with no bugs at all, none, not a single one —

     this

clear, beautiful, and brief moment,

     this emptiness…

David more than generously read my novel a few years back, and he completely understood the book’s grittiness.  While he championed me, and did all he could to help me sell the book, he also insisted that I remain true to the book’s vision and in no way at all dilute the novel’s dark underbelly.  David Budbill seems to me a man who’s devoted his life to poetry, to pushing the depths and humor and sheer joy of poetry.

On this day, here’s my own handful of poetry, a few garden pebbles in my dirty palm.

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