Risking Delight with the Lion

Precisely a year ago, to the day, Isele Magazine published my essay “Red Devil, Survivor Herself.” I had written all through the godawful cancer treatments, AKA chemotherapy, and publishing this essay marked my tenacious determination to remain among the living—and to remain a fierce writer, too.

Over the summer and autumn, “Red Devil” morphed into a manuscript-in-process. Recently, three more chapters were picked up. The kind folks at Isele Magazine published “Risking Delight with the Lion.” The following two will be published in different journals later this spring.

Here’s the opening of “Risking Delight.”

In my winter of chemotherapy, I woke at night, quivering. Where was I? What was happening? Gasping, I reminded myself that I was in bed, I was okay, that whatever demons had sought me in sleep had been banished by my waking. I didn’t blink my eyes open into peace. My breathing never eased into contentment.

Cancer-and-chemotherapy is a path of suffering, an involuntary hairshirt. The first morning I met my oncologist Dr. Valera in that Dartmouth-Hitchcock hospital room, I was surfacing, bleary and exhausted after an emergency admission and an exploratory surgery that verged on plunging me into a sedated coma. My daughters had been summoned through a snowstorm. What remained of my vitality was vanishing. Me or the lymphoma would triumph. There was no middle ground. Yet, that first morning, Valera assured me, “I can cure you.” Not cocky, not boastful, merely stripped down to facts: the lay of my body and disease, his skill and treatment course.

I clutched his words desperately, but I never repeated aloud, “This physician makes a claim that I will live.”

What was the levy I would pay for remission?…

Last… with the 2050: Vermonters Take a Swipe at the Future project, I’ll be reading at the Tenney Memorial Library in Newbury, Vermont, this Saturday, 4 p.m. Come!

Growth.

In these days of long light, my daughter and I are drinking tea and talking on our glassed-in porch when she spies a fox walking along the lilacs that fence us from the road. The red fox, a real beauty, turns and looks at us.

June has been a season of the wild pushing in — the prolific groundhogs (and my thoughts will come to naught about this, but I’m wishing for a more even ratio of groundhog to fox, for my garden’s sake), the multiplicity of birds, raccoon and possum, the circling turkey vultures. This year, too, my garden grows half-wild, the amaranth reseeding around the Brussels sprouts, coreopsis sailing over the fence. One morning, I straighten and pause, brushing dirt from my fingers, when I spy a fox staring at me through the layers of hydrangea and pin cherry trees. For a time without borders, we hold each other’s gaze. What passes between us is a wordless language, with no clear question or agreement. Maybe simply curiosity.

There’s plenty of the human chatter around me these days, much of it rippling up in chaotic waves. But then, this, too. Last night, poetry at a rural arts center, with all the best things of Vermont June: wildflowers and the pleasure of company, the beauty of words stitched finely together.

…. Last, never least, here’s some words about the unsurpassable Vermont novelist Jeffrey Lent, in need of a little lift…

Child

How you’ve grown, child

of mine—pearl from my oyster,

you sparkle like snow. 

Mary Elder Jacobsen