How to Reconcile Contradictions?

The November days end in early darkness. Late afternoon, I close my laptop, comfort the cats with a handful of kibble, and pull on my jacket. The village lights glow: the few restaurants, a garage, a laundromat, the library. When I’ve reach the high school, the darkness spreads ubiquitously through the town forest that spreads up the hillside. Nearly all my life I’ve lived in New England, and yet the profoundness of this late autumn darkness always amazes me.

Later, I’m in the neighbors’ house who need some aid. As we stand talking in the well-lit rooms, I feel the house around us, the century-old vessel of wood and nails, a metal roof. Around us, the wind stirs through the evergreens. I walk back in the dark, my head bent against the cold channeling through the valley. All night, wind howls, the inexorable thrust of our world into winter.

While I read on the floor beside the wood stove, the cats keep me company, thinking their feline thoughts. Eventually, I turn off the lamp, and we three beings watch the fire’s flames through the stove’s glass door. Encompassing us, this profound darkness I will never comprehend. In it, our hearts beat on.

Here’s a few lines from David Truer’s “The Americas They Left Me” I read last night, in The Best American Essays, 2023.

This country is a terrible country, and this country is not…. There is a great ugliness on the land and also a great beauty. This country would and will do its worst at the same time it embodies the most nurturing habits our civilization has to offer. There is no reconciling these contradictions; they cannot be reduced or done away with. I must, we must, find a way to contain both.

Gifts

A friend leaves a dozen eggs and a stick on our back porch. She instructs my daughter to put that stick in water.

Doubtfully, my daughter sets the unassuming brown branch in a glass of water on our kitchen table. Really? she asks me.

I tell her it’s a twig from a Daphne bush she’s walked by countless times. When it blooms in that water, you’ll be amazed. I promise her this.

Here’s Adrienne Rich’s poetry for the soul, forwarded from my father.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

 

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Imagine

The other day, I woke up on the wrong planet. That’s the opening line of the picture book I read to the kids in my one-room library yesterday.

I was standing outside talking to one of my trustees when the kids walked over after lunch, kindergarteners through sixth graders. What a crew, he said, the kids cheerful, some of them in unzipped winter coats, others in t-shirts.

The kids spread out on my well-worn carpet. What if you did? I asked. Imagine if one day, you opened your eyes…..

The littlest kids’ faces glowed, and I wondered at the mysterious thoughts meandering through their minds, as they considered imaginary realms. Afterwards, the oldest kids lingered, checking out books, with their own system of swapping library books, sharing their imaginary worlds.

Afterwards, alone in the library for a few moments, I began pulling together a program in commemoration of the 50th anniversary of Martin Luther King’s assassination. What if, I kept thinking… And isn’t this one of the drives of literature? To sway our story through imagination and action?

We must rapidly begin the shift from a “thing-oriented” society to a “person-oriented” society. When machines and computers, profit motives and property rights are considered more important than people, the giant triplets of racism, materialism, and militarism are incapable of being conquered.

— Martin Luther King, Jr.

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What’s A Poem Worth?

Yesterday, someone said to me, why would people write a poems if they weren’t going to be paid for them?

That’s a gulch of perception I may never be able to cross. What is a poem worth, anyway?

This morning in Montpelier, I attended an art show, where my daughter had a painting entered. In the opening remarks by Tom Greene, president of Vermont College of Fine Arts, he said creating art widens our experience and makes us more humane. I’m not sure that sentiment would have imprinted on me as an adolescent, but as an adult, far down in the cavernously lonely well of writing a second novel, those words shone like a bright beacon far above, a place I know – a place I continue to heads towards through the arduous work of writing.

What’s art worth? A truer question, perhaps, would be: how unimaginable our world would be without art.

"This is Just to Say"

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

– William Carlos Williams

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artwork by Molly S.