Garden, fence, lilacs, vultures.

Last spring, a late frost ate the lilacs, death-knelled a young apple tree. Not so, this year. All morning, I work on the back porch, the pollen sifting over my keyboard and laptop screen, the scent of lilacs surrounding our house. May is the brand-new season of pea shoots and asparagus, of peony buds and bleeding hearts.

In the late afternoon, my daughter finds me in garden and salvages the fence from bedstraw and witchgrass. Our garden abuts a town cemetery, fenced by metal and lilacs. On this holiday weekend, the cemetery is busy. As we work, talking, we spy folks wandering through, some tending graves, others gathering handfuls of lilacs or wandering about some other business.

I’m at the early summer gardening place of great good cheer: so much is possible this year. My daughter — a grownup now, but a young grownup — works easily and happily. We’ll share dinner soon, feed our two tabbies, and my daughter will disappear with friends and her swimming suit. I’ll walk into the cemetery and, lured by the scent of lilacs, keep on for a bit. The turkey vultures, maybe a few dozen, will circle low over my head. Then eventually I’ll head down to the village, and the birds and I will part ways.

In these early summer days, I think about my mother all the time. I live in a house that she visited only once. I live a life she did not understand at all. And yet, as I scissor bouquets of lilacs to bring to a friend, as I stand barefoot in my garden deciding to sow sunflowers here, plant basil there, I know these are things my mother loved keenly: the lushness of blossoms, the vim to create a garden.

Stop all the clocks.

Santa Fe, many years ago

In this space, I’ve stepped between the mossy threads of my own life. For many years, my mother who lived far from me kept up with my life through my blog. I’d started writing stonysoilvermont the summer my then-husband and I split up. I was about to publish my first book. Although I’ve considered quitting, I’ve kept on, the disciplined scraps of this writing feeding into my creative life.

So it seems right to acknowledge my mother’s passing over into the next realm. A woman of nearly indomitable strength, she was ill for many years and surmounted multiple surgeries and illnesses. But none of us are mortal. My mother, who was a nurse for decades, knew this more keenly than most people. When I was a girl, she returned every morning at breakfast with stories from the hospital, some funny and some heart-wrenching — a child with leukemia, a cab driver shot point-blank in his head. One July morning, she carried home an orange kitten. We named him Oliver, and he lived a long full cat life.

Same, too, with my mother, a woman whose strength and passion shaped my own. In her later years, disease made her wander back and forth in time, into places where none of us could follow. My mother would have wanted us to grieve the end of her life, but not to fall dramatically on our knees. Raised a Lutheran, she was imminently practical. Nonetheless, I remember when I was 21, and my mother grieved her own mother. She stopped all the clocks.

Song against Reductionism.

A pretty wet snow covers our muddy world — temporarily, for sure, a grace of sugar snow in a long mud season. Early March, and I’m already hanging the laundry out to dry, the pale green nubs of perennial bulbs pushing up through matted debris of last year’s leaves, broken twigs.

On a warm afternoon, I put the snow shovel away — my usual blind enthusiasm about spring! I’m the woman who rails against reduction, that the world can be defined as this or that. This world is nothing but gray, an unending smear of thaw and freeze. And yet, I’m wrong about that, too. Daily, the bird chorus gains, the winged creatures flocking in the box elders in the ravine behind my house, feasting at the feeder in the mock orange.

A poem from the late David Budbill:

“What Issa Heard”

Two hundred years ago Issa heard the morning birds

singing sutras to this suffering world.

I heard them too, this morning, which must mean,

since we will always have a suffering world,

we must also always have a song.

Travel in Out-of-Everyday Places.

In the quietest hours of the night, driving by the twinkling line of Santa Fe’s lights in the immense desert, a crimson half moon cupped in the firmament like a bowl full of mystery, I have the strange sense of transmogrifying into a Russian novel. Maybe in part because of the Bulgakov novel from my sister crammed in my backpack with my laptop and half-written notebook, or maybe it’s my family story unfurling simultaneously at lightspeed and also breath by labored breath.

At the Albuquerque airport, the shuttle bus holds just me and the driver who says he’s from the Chicago suburbs. He remarks that I’m shivering and wonders how that can be, as I’ve told him I’m flying back to Vermont. I’m tell him I’m just tired. Perhaps. But the illuminated city and the airport floodlights and mundane directional signs for United and Alaska Air bedazzle my 3 a.m. eyes: there’s so much of the world, so many people and stories braiding and twisting, from the sweet simplicity of a child cradling a beloved doll to an old woman gasping her way to the end of her life.

The driver asks me about the church scene in Vermont. I rattle off about white steeples in every town. Driving incredibly slowly, he launches into his story of knowing that he wanted to be a better man but kept falling into sin, and then a page in the book of his life turned. I can see this is doubtlessly headed to a pamphlet he wants to hand me. Yet, as he speaks, I wonder what that really means: Knock, and Jesus will open the door.

Later, in the terminal, drinking coffee, I sit in a space crowded with strangers, all on their meaningful journeys. My heart swells full with so many things: the robins singing in my parents’ aspen, last night’s dream of wandering through a sugarbush, forest floor sprinkled with spring beauties, the luminous crimson bowl of the moon in the infinite darkness. Nature never builds a door. Maybe those doors and windows we’re forever using as metaphors are illusions.

The driver had forgotten his bag, so the pamphlet was a no go. I take his words and tuck the sliver of his story into my writer’s mind with the hard-boiled egg I’d split down the middle and shared with a young woman yesterday morning. While we ate, she told me about her son’s heart surgery, and the surgeons who saved the boy’s life. With my fingers, I sweep the eggshells into a pile on the plate we’ve shared.

The Revenge Business.

Washing dishes this morning, I catch a little of NPR’s Morning Edition. Mandy Patinkin who starred in The Princess Bride says his famous line about avenging his father’s death. As I’m scrubbing out the coffee pot, Patinkin says the more important line is about how revenge never got anyone what they wanted. Ever.

For February, this Saturday is crazy warm. I hang the laundry outside to dry and open the windows. I finish up some work at the coffee shop and talk with a school board member from the board I quit, abruptly, last spring. A few raindrops are falling as we step outside on the sidewalk.

In the little rain, I walk home, thinking about that revenge line. Families, nations, epochs, have run on revenge. And the math always works out in its own calculation. Check out the NPR segment.

The true religion, the religion of snow…

I stand at my kitchen’s glass door devouring blood oranges and watching the sifting snow. Blood oranges — could I choose a less local delight? I open the door and cast out the peels for the birds.

The cat Acer sits on my feet, listening to the morning radio news, too. Just over the river, my home state New Hampshire revels in the Presidential primary. Meanwhile, Vermont prepares for its March Town Meeting Day, with the calculations and passion of budgets and petitions. Close an elementary school? Pledge to become a pollinator-friendly town? So much of January in my state is devoted to public meetings and discussion/debate, to a reckoning of the way forward, a jostling for who’s running for what seat — and what seats might remain empty.

Meanwhile, snowy winter has finally arrived, spare and elegant. Fearsome and enchanting. As the days deepen in cold, the light hours increase: no stasis in this world.

A fan of local chicken, bacon, milk, my cat stares at my orange-sticky fingers with disdain. I crunch the orange seeds, too, devouring this sunlight sweet.

Here’s Billy Collins’ poem about shoveling snow with the Buddha:

[Shoveling snow] is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.