Sparkles

The phone rings early this morning with news of the third snow day in November. Complex math and prediction skills aren’t needed to guesstimate that school for my 8th grader will drag far into June — sweet, rose-scented June. In late June, we’ll be camping on the shores of Lake Champlain in our annual, always filled with laughter camping trip.

I close the Chris Hedges book I’m reading — the book jammed with history and intimate detail — tug on my boots and go out to shovel. It’s so warm, I don’t need a hat or mittens, don’t even really need a coat. As I shovel, I think of Hedges. How right he is the political ramrods my own private family life, too, that the tangle of economics and autonomy and gender weren’t created within my four walls.

Snow falls very lightly, nearly imperceptibly in the light from my house. A whole day stretches ahead, but it’s beginning here, in this pristine beauty.

America was founded on an imagined moral superiority and purity. The fact that dominance of others came, and still comes, from unrestrained acts of violence is washed out of the national narrative. The steadfast failure to face the truth, Baldwin warned, perpetuates a kind of collective psychosis. Unable to face the truth, white Americans stunt and destroy their capacity for self-reflection and self-criticism. They construct a world of self-serving fantasy.

Chris Hedges, America: The Farewell Tour

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Red Flicker

A single cardinal sits in the bird feeder on the wooden pole listing in the old woman’s yard. I pass this way often, where she sits on the glassed-in porch with her friends, a colored paper turkey pressed decoratively against one window.

Her boots have trampled down the snow around the feeder. My eyes search for a fallen crimson feather, but there’s nothing — just a flap of the bird’s wings, and then the bird’s gone.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

 

From Jane Kenyon’s Let Evening Come

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Where We Are Now

Winter socked us in early this year, the old sheet I used for covering the remaining mesclun greens still draped over the garden fence, nailed down to the earth by snow.

Preparing to read Mary Azarian’s Snowflake Bentley book to the elementary kids, I request Bentley’s own book from interlibrary loan. As I open the cover of an old copy, I remember when my father first showed my siblings and I this book, so many years ago — the glossy pages and pages of winter’s crystalline beauty.

My older teen — in her high heel boots — complains of cold. Then, invited to sled at night, she packs her bulky winter clothes. Returning in the deep dark, her eyes glisten.

 … though the beauty of the snow is evanescent, like the beauties of the autumn, as of the evening sky, it fades but to come again.
Wilson A. Bentley

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Library Afternoon Snapshot

A woman stops in my library — new to town and looking for basic info about an internet connection and where to buy food. She’s getting the lay of this corner of Vermont’s territory. Early afternoon, the school kids are paired up around the library, working on projects — some seriously, some intently goofing off.

It’s drab November, and the woman stays for a long while, using the library’s internet connection. Her friend calls the library and arranges to meet in the parking lot, exchanging a microwave. School morphs into after school by then, and the kids merge back into the library. A parent takes three crying girls aside and demands the drama to cease. A little boy chats with the woman in the library who pauses in her work and answers his questions. The kids pull out their newest craze — the chess sets.

Through all this, I keep introducing the woman to anyone who comes in the door.

When I leave at 5 p.m., darkness folds around the library. The woman has left with an armful of books; the children have all gone home. A few adults are picking up yet.

I turn down the heat in this library — a kind of living room lined with books. Then I head home myself.

The library might have been the first place I was ever given autonomy. Even when I was maybe four or five years old, I was allowed to head off on my own.

— Susan Orlean, The Library Book

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Cracking Open the Door on Deafness

In my twenties, I was a typist for a novelist who not only had the misfortune to suffer from severe carpel tunnel, but was also profoundly deaf. The deafness had contributed to her divorce, and she holed in up in her parents’ summer house in rural Vermont. Once a professional musician, she cleaned houses before landing a teaching job and turning to writing children’s literature to make a living.

Sitting side by side with me, she dictated her novel.

One morning, an unfamiliar alarm rang out in her study, so piercingly loud I instinctively bent over. I heard nothing but that sound. Fearing it was a fire alarm, I stood up, panicked. Then I saw the novelist, sitting in her chair, was mystified by my actions. She was entirely oblivious to the noise. To her, that alarm didn’t exist.

A red flashing light on her computer power surge system warned that the power had gone out. I shut down her computer. I explained what had happened. Then I stood there, rattled — both from the physical shock and from my glimpse into her immense silence.

Here’s a line from Susan Orlean’s The Library Book:

… oh my God… do you think there are any conservative librarians?

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Lyndon, Vermont

Rules for Novelists — Rules for Living

In Vermont, we’ve skipped from the Ides of November to the middle of January — just like that — and none of us have even eaten any Thanksgiving turkey.

The 13-year-old, on her second snow day this week, calculates how long into June the school year already stretches. She’s up early anyway, curled on the couch with her cats and her library book, immersed in an imaginary fictive world. I leave her be. The snow shoveling can wait.

Here’s rules 1 and 10 from Jonathan Franzen’s “Ten Rules for the Novelist.” I’m darn sure I nail the relentless rule at least.

The reader is a friend, not an adversary, not a spectator…. You have to love before you can be relentless.

— Jonathan Franzen, The End of the End of the Earth

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