Unfinished

My daughters’ gentle-pawed cats cry in the night, dragging a toy mouse around the hall and looking for company. Nearly 20 years a mother, the nether realms of nights are my familiars. I lie listening to wind chimes singing in the nighttime wind.

At the solstice, the darkness is no stranger to us now. The afterschool children ski around my library in the utter darkness.

While waiting for pasta water to boil, my 13-year-old and I slice and eat wedges of cheese — a Christmas gift. Around our little house, I imagine the moon making her steady, slow rise into the starry sky above our metal roof, the unbroken night pooling through this village, with its lit-up twinkling strings of white and colored Christmas lights.

So, the day funnels down into the night, this year into the next. She talks about our old house — unfinished was the word we always used for the house, and she says it again, unfinished. I push aside my stack of work papers. Between us is a little bonsai plant, a gift from her friend.

I keep listening to this girl — just her and me and the cats beginning for crumbles of cheese. Goodness, adolescence — clear and mysterious as the rising full moon. She stirs the boiling water.

You can contemplate existence all you want, at the end of the day someone needs to blow their nose and hand you a dirty tissue.

— Sarah Ruhl & Max Ritko, Letters From Max: a book of friendship

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Joyful Interlude

A few years back, I told the man at the dump about an argument I’d had with my now ex. The old man always assessed what I had for garbage and recycling and then suggested what I should pay. Are you okay with that price? he’d always ask me. We had a sugaring and carpentry business then, and I often had strange assortments of things like moldy sap lines or boxes of broken syrup jars or a busted stroller.

The old man — who always spoke to my rowdy toddler daughter — told me to take her swimming for the day. That’s what you need to be doing today.

I think of him every time I go to the dump.

Before my second daughter was born, he suffered a terrible burn accident and died a prolonged and horrific death. I know this because I read his obituary in the newspaper one fall when I was crumpling up newsprint to build a fire in my wood stove. Those days when I pulled into the dump with my lively daughter and the million things I was doing then — syrup and mothering and trying to figure out my life — the day of his death seemed far away.

There’s a lesson in this I repeat to myself, that I must swallow down into the marrow of my bones. Seize joy — the unremarkable days of swimming that make up a life.

… We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left… very likely you notice it in the instant when love begins…. whatever it is, don’t be afraid of its plenty. Joy is not made to be a crumb.

— Mary Oliver

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In the Gloaming

Even the kids remark on the darkness.

In our kitchen, the girls baking cookies after school turn on the overhead light. At my library, the little children play outside in the afternoon dark, rolling down the snowy hillside in their bulky clothes.

I turn on the outside light beside the door for the parents. It’s not yet 5 o’clock.

Around our house, a bitter wind swirls snowflakes with tiny teeth. On our red rug, the cats stretch, indolent. Through the vast space, on our heavenly blue-and-emerald body, we spin.

Already light is returning pairs of wings
lift softly off your eyelids one by one
each feathered edge clearer between you
and the pearl veil of day

You have nothing to do but live.

— From “Winter Solstice” by Anonymous

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Kindling in December

Frost twists upward this morning on the sticks of our lilac bushes. Come early June, we’ll live outdoors, surrounded by the fragrance of multiple blossoms. Not so, these New England winter days.

In a brief pass of sunlight, we hurry outside, take a walk through the woods, observe the ice curling over a running brook. Later, in my Sunday housecleaning, shaking rugs over the deck railings, I hear the girls in the cemetery laughing. From the barn, they’ve taken the sled in search of a snowy hillside.

Mid-December — the hard and holy time.

Upstairs, my daughter plays the clarinet, the melody languorously easing into the afternoon’s already fading sunlight.

Mid-December, holy perhaps precisely for its hardness. Draw the darkness fast around us; see what we hold, what we cherish.

I peeled my orange
That was so bright against
The gray of December
That, from some distance,
Someone might have thought
I was making a fire in my hands.

— Gary Soto, Oranges

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Reprieve

This morning, I’m in the snowy garden assessing the remaining kale. As I lift the limp leaves, crusty snow crumbles fall into my boots and around my sockless feet.

Walking back to the house, my daughter’s outside in a t-shirt, feeding her chickens leftover popcorn.

Kale, garlic, onion, fennel-sweet sausage for a savory soup. Mid-December. Take heart.

We look at the world once, in childhood.
The rest is memory.

— Louise Glück

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Parenting

On a Philip Larkin jag, I think of his lines as I’ve driving with my 19-year-old up the switchbacks climbing the mountainside from the Connecticut River to Danville.

They fuck you up, your mum and dad.
    They may not mean to, but they do.
 
We’ve been to see an old man — a doctor and a Zen Buddhist — whom I’ve convinced has answers, actual answers damn it, to the riddle of her and me and her father. My daughter hates the old man. Actually hates him.
 
It’s December and cold as hell. The sun sparks from ice at the edges of the river where the wide current is just beginning to freeze. The sun is nothing but cold comfort, so low in the sky warmth is merely a memory.
 
Driving, talking, we pass a particular bend in Route 2 where, decades ago and years before she was born, the Volkswagen bus my daughter’s father was driving broke down on the edge of the road. He had downshifted, stalled, and in that moment, the engine froze and refused to start. For years, the bus was parked behind his sister’s village house.
 
I stop in Danville for gas and wash the salt and road dust from the windshield, remembering the ugly tan color of that Volkswagen. From here, the road home is familiar all the way. I’m always writing about roads, always writing about journeys, sometimes just down to the post office to open the mailbox to see what’s there — or not. 
 
Staring at the keys in my mitten, I remind myself my daughter’s journey is her own. Or, back off. Then I hold out my hand to her and ask, You want to drive home?
 
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