Better Perspective

A milk truck rolling slowly up Bridgeman Hill catches the sunset on its long, silvery side. The mud-splattered Booth Bros.’s truck reflects that sky behind and above me — ruby clouds — and that movable art mural is so wonderfully awesome I’m taken out of time, snapped back into the world only as the truck has nearly passed and I realize the driver has lifted one hand, waving a greeting.

I watch the truck continue its gradual roll up the hill, where pavement gives way to dirt road. As I descend down the hill, the village glows beneath that magnificent sunset — the granite town building, the long strings of electric lines, the houses well-tended or ramshackle — players in a landscape of cosmic beauty.

When the winter chrysanthemums go,
There’s nothing to write about
But radishes.

—Basho

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Reading

By lucky chance, I start reading Joshua Mohr’s Sirens — memoir of writing, drug use, broken spiritual and physical hearts — and I can’t stop. The slender book reminds me of when I was twenty, reading Death on the Installment Plan in bed in a second-floor Brattleboro apartment, savory from the downstairs Korean restaurant. Like Celine, Mohr’s writing is full of life as that Brattleboro Main Street, or as desolate as a snowy midnight.

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Our lives are always in flux, so many contradictions comprising our identities…. We are never one thing. I was never only the heart defect, only the author or junkie or husband or father or professor or drunk. I wear all these like layers of skin. Like stars creating a constellation.

— Joshua Mohr, Sirens

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Reprieve

At the hardware store in town, the woman ringing up my chicken feed asks if I’m going out partying for New Year’s Eve.

Are you kidding me? I blurt out. Then I apologize and ask about her plans. I like these hardware store folks, with their humor, their can-do willingness to solve my piddling problems — a clogged bathtub drain, a stuck lamp switch.

The cold’s broken for December’s last day. Before dusk, I follow the raccoon tracks from my compost down the snow-crusty hillside, wondering where this creature lives.

Another of my daughter’s homemade calendars folded up and put away, the day-to-day record of our lives — work schedules and friends and dentist appointments — the stuff of our lives.

For this year? Stay solvent. Paint the kitchen gold, my bedroom turquoise. Swim in the Atlantic with my kids. Follow wild tracks and fill the creative well.

Why speak of the use
of poetry? Poetry
is what uses us.

— Hayden Carruth

 

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Simple Saturday

I make an error knitting a hat — I skip the beginning half of a cable round. Compensate for the error and hope it’s not apparent? Or unravel (again) and start over?

Thus, the allure of craft — the potential to make something beautiful by getting it exactly right.

Not so, parenting.

On a post-Christmas slushy and raw day, the 13-year-old girls find me holed up in a corner of Montpelier’s Capital Grounds. It’s a day unfit for for their skiing plans, impossible to sled or ice skate. I close my laptop and suggest we walk. Even the sidewalks are sketchy with ice.

Too icy in Hubbard Park’s woods, we walk through the steep-streeted neighborhoods behind the capital, stop to admire six grazing deer, and muse about the houses we pass. What would it be like to live here? the girls wonder, contemplating their adult lives. Where will we go?

On the drive home through the dusk and a blowing snow that surrounds my little car in Calais, the girls both sit in the backseat as they did when they were little, eating cold dumplings and playing songs they think will shock me. Instead, I’m mesmerized.

At a gas station in Hardwick, I fill the tank in my shirt sleeves. In the backseat, the girls unroll the window and tease me, telling me to put on a coat, and suddenly I start dancing, lifting my arms over my head in a silly, made-up song about December and joy. A bitter wind blows along the highway. I leap a little higher, in our few moments of merriment, before I reach for my coat, too.

The winter wind
flings pebbles
at the temple bell

— Buson

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Bloody Nose

My daughter’s nose has been bleeding for days — a trickle, a stream, and suddenly she bleeds steadily from both nostrils.

7:30 on an utterly dark evening just after Christmas: we’re at a gas station at the edge of town on what feels like the coldest evening of the year. Save for a teenage boy in the convenience store, playing on his phone, no one’s around.

While my older daughter hands paper towels to her sister in the car, I stand under the florescent lights and call the ER. What’s the threshold for a bloody nose? I ask. I get fever, but when I should I worry about a bloody nose?  Utterly unconcerned, the nurse tells me I’ll know.

On a post beside me, I read a dirty sign — Fresh Sandwiches To Go — and wonder how many years ago that sign was someone’s bright idea.

I’ll know?

Through the car window, I see my daughter’s eyes, frightened.

Over the holidays, my brother told her all minerals were formed in supernovas and made their far way to earth through meteorites. How cool is that? he said. Our bodies are created from ancient stars.

A single pickup truck passes along the two-lane highway.

The night is utterly still, the darkness beating around us — alive — the pulse of the universe, miraculous with ancient remnants of stars, my open eyes at the edge of the infinite unknown.

Then we head home, where the cats sprawl, sleeping.

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This.

Midnight, my 19-year-old pulled free the extension cord on the Christmas lights around our barn door and came in the house, banging snow from her boots.

On my bed, the cats pricked up their ears and hurried downstairs. I followed.

Cheeks flushed with full moon sledding down Mt. Mansfield, my daughter and I talked about the history of birth control — the political is personal — ate cold clementines, and fed the cats shreds of turkey from our fingers. Over our metal-roofed house, the moon made her silent, luminescently gorgeous way through the heavens. We turned off the lights and headed upstairs to bed. I parted the curtains and touched a single fingertip to the cold glass.

In this season of a new and vulnerable family on the move, of the ineffable mysteries of angels and holy gifts, a prayer for domestic peace, in odd and unexpected moments.

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Christmas Eve, Hubbard Park, Montpelier, Vermont, 2018