18th Birthday.

Here’s the thing: 18 years is a whole lot of parenting. 18 years is hardly a heartbeat.

My youngest was born by caesarian at 8:13 a.m. Leaving the hospital a few days later, corn nubs had emerged through the soil. As we drove by farm fields, I admired the new corn, marveling at its beauty. I had seen corn growing my whole life. And yet….

Perhaps that and yet sums up parenting. As a little girl, my youngest wore a green fairy tutu from her grandmother for about two years straight. These days, we are past the days of tiny teacups and Go, Dog, Go. Our family dynamics are now getting down to the hard questions: what does it mean to be a woman? what shall I do with my life? and how many times does sunscreen really need to be applied on a senior skip day at the beach? The questions go on….

blessing the boats

                                    (at St. Mary’s)

may the tide

that is entering even now

the lip of our understanding

carry you out

beyond the face of fear

may you kiss

the wind then turn from it

certain that it will

love your back     may you

open your eyes to water

water waving forever

and may you in your innocence

sail through this to that

— Lucille Clifton

‘In sorrow, pretend to be fearless.’

In Praise of Coldness

“If you wish to move your reader,”
Chekhov said, “you must write more coldly.”

Herakleitos recommended, “A dry soul is best.”

And so at the center of many great works
is found a preserving dispassion,
like the vanishing point of quattrocentro perspective,
or tiny packets of desiccant enclosed
in a box of new shoes or seeds.

But still the vanishing point
is not the painting,
the silica is not the blossoming plant.

Chekhov, dying, read the timetables of trains.
To what more earthly thing could he have been faithful?—
Scent of rocking distances,
smoke of blue trees out the window,
hampers of bread, pickled cabbage, boiled meat.

Scent of a knowable journey.

Neither a person entirely broken
nor one entirely whole can speak.

In sorrow, pretend to be fearless. In happiness, tremble.

— Jane Hirshfield

Conversation in the Moonlight.

At the open hatch of my car, I’m writing a mental grocery list, when something — what it is I don’t immediately know — happens. I’m fucked, I think. I’ve broken my hand.

A pneumatic hatch strut has broken, and is pinned between the hatch and taillight, the plastic light smashed. I turn my hand around and around. My hand suddenly seems very small, utterly familiar, a thing easily ruined.

People walk around me, going in and out of the co-op. Weirdly, I remember a car crash from my twenties when a Subaru Justy ran into my gold Rabbit. My Rabbit was knocked off the road. I got out and ran. The Justy had spun around and around and came to a stop, the wrong way in the middle of the road. No one was around. The Justy’s driver was crying, her window rolled down, saying, “I’ve killed you.” I begged her to get out of the car, leaning towards the Justy in the falling snow but not touching it, saying, “But I’m alive. I’m here.”

In a twist of great good fortune, my hand isn’t broken, only bruised. I go in the co-op and buy scallions and yogurt. The hatch and the strut are an irritation, another thing to sort out and solve, a fixable occurrence.

Later that week, after the dinner guests have left and it’s just me and my daughters and their friends, the five of us pull our chairs around the fire. The neighbors have taken their little kids into bed. The band in the village has quit by then, too, and the frogs are signing again, snippets of frog melodies.

In the darkness, we talk about relationships and marriage, what holds people together, what makes people endure. What makes people split. I toss another chunk of wood on the fire. A glistening half moon hangs over my house. Listening, I turn my hands around and around. So often, my hands are full and busy. Now, the moonlight falls in my open palms.

We keep talking and talking and talking. The moonlight is endless.

Birds are a Kind of Souls.

I’m sitting at the kitchen table talking with my daughter about past, present, future — one or all of those mixed in together; it’s late adolescent talk; the future hovers around us all the time, all day long — when I see a robin swoop up to our porch beam, its beak full of limp weed.

For the first time in the half dozen years we’ve lived here, robins are building a nest a few feet from our kitchen door.

In our other house, robins crafted fat nests in our sugarhouse and under our balcony. We witnessed baby beak feedings and collected blue ragged shells. Twice, a hawk ate fledglings — the course of nature, but sorrowful.

Rain has fallen all day. There’s an underlying promise of deepening green with the rain, but the hours have been cheerless and cold, filled not with any bad news but the accrual of petty things that drag at all our lives.

A robin stands on the porch railing, eyeing us through the glass door. Its mate flies in quickly, busy busy in the nest. Time is of the essence in bird movement. The robins are a little story come to stay with us for a short while.

Build and thrive, I think. Thrive.

“I was convinced that birds were kinds of souls. Not the souls of people but of previous birds whose mystery and beauty were so necessary on earth that God would not allow them to be anything in their second life but birds again.” 

— Howard Norman

Apple Blossom Petals Like Snow.

When my youngest was born, nearly 18 years ago, my brother had a new cell phone that had a camera. I didn’t own a cell phone then and didn’t predict I ever would. Who wanted to carry a phone around with them?

Turns out, my brother had forgotten his phone, anyway.

I could rhapsodize about how many phones and how many laptops have now passed through our house, the zillions of digital images and words, but really…

This is the most amazing blossom season. In the late afternoons, I read beneath an apple tree while petals fall, the pollinators hum, the spring crickets creak on. The first crop of dandelions has already morphed into gossamer globes of seed. How fast this passes. Sometimes, waking in the night, I get up and read. I am now beyond those baby waking nights, no longer so hungry to rest. Jays bicker over something I’ll never know. The day slips along.

The sea is calm tonight.

The tide is full, the moon lies fair…

— Matthew Arnold

Vermont’s Foundation: Freedom and Bread

A possum circles in the highway, no doubt startled by my headlights. It’s past midnight, and no soul’s around. I drift into the other lane and let the possum do what it wants to do.

I’m listening to the radio playing the Rolling Stones and thinking of a David Budbill poem I read that afternoon, about Vermont’s colonists and centuries of following folks, seeking freedom and bread. The possum is definitely seeking her or his own version of possum bread, but freedom…? The question looms large. I haven’t far to drive this night, but the words stick with me — bread and freedom — surely two of the main drivers in my life, likely in yours, too.

The peepers are lusty along the Lamoille. The air reeks of wet mud, of that sweet fecundity of spring.

At home again, we lie down with the windows open. I hear the teenagers talking and laughing before they slip into the thickness of young sleep. To ward off the night’s gloom and cold, I’d started a small fire in the wood stove. Through the open window now drifts smoke. In these May days — both hot and chilly — I’ve moved my wood piles, again, as I tend to do, raking the bark and broken bits to dry in the sun. Foolish, perhaps, to keep a fire smoldering while the bedroom windows are open. Or maybe simply a kind of freedom.

What Is June Anyway?

After three weeks of hot weather and drought,

           we’ve had a week of cold and rain,

just the way it ought to be here in the north,

            in June, a fire going in the woodstove

all day long, so you can go outside in the cold

            and rain anytime and smell

the wood smoke in the air.

This is the way I love it. This is why

           I came here almost

fifty years ago. What is June anyway

          without cold and rain

and a fire going in the stove all day?

— David Budbill