Navigating Sans I-Phone

Before I bought this house in June, I’d spent a number of winter and spring evenings wandering around its exterior. The house was uninhabited then, and I very much wanted to know where the moon rose on this piece of land. Would the moon be concealed by trees or streetlights, or would Lady Moon sail up in her luminescent beauty?

Nearly twenty years ago, I became a sugarmaker about the same time I became a new mother – the work of both often accomplished in the wee night hours. In those years, I began to know Lady Moon in all her phases – round and crescent, gibbous, waxing and lessening. This house I began to love, in part, because of the rising moon view.

Last night, late, the moon was my companion as I read a book I’d found in the library stacks, Juliane Koepcke’s story of surviving a plane crash in the Amazon when she was 17. Her parents, an ornithologist and biologist, had taught her to know and love the jungle – and Koepcke credits both knowledge and love with her ten-day trek out of the jungle and into survival.

In the moonlight, I lay awake thinking of Koepcke, and how her story, in an odd way, mirrors that of the poor woodcutter who gave his children bread. Hansel and Gretel crumbled the bread behind them, in a vain attempt to find their way out of the forest and away from the wicked witch. Metaphorically, there it is again: the jungle or forest all around us. So many times, I’ve wondered what I’m giving my children to find their way home, when my daughters will be lost. I’m too much of a pragmatist to know they won’t be mired in thickets, in their time. (Just not too thorny, please. Just not too darkly.)

Foolishly, I’d never considered love a navigation tool.

I open my eyes, and it’s immediately clear to me what has happened: I was in a plane crash and am now in the middle of the jungle. I will never forget the image I saw when I opened my eyes: the crowns of the jungle giants suffused with golden light, which makes everything glow green in many shades…. This sight will remain burned into my memory for all time, like a painting…. I don’t feel fear, but a boundless feeling abandonment.

– Juliane Kopecke, When I Fell From the Sky 


Gabriela’s rock garden, created on a summery day



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Myriad Things

These summer days, I often work at home, awake and drinking coffee while the girls slumber, and the sun rises and slowly steams off the dew from our croquet patch, the garden, and the town’s rusted metal fence and cemetery beyond.

Yesterday afternoon, my daughter and I walked into the sultry town for another of my meetings at the town library. Some rouge patron had plugged up the basement plumbing, so I shopvacc’ed the cement floor while librarian lifted boxes from the spreading flood. Then we sat outside in the sunlight, nodding to patrons, while she answered my questions about the little library I manage. One patron returned three books, including the novel I’ve written. I restrained myself from quizzing, What did you think?

At home again, in the late afternoon, my daughter picked handfuls of cucumbers from our small garden. While we talked, I made a savory dinner the girls love – peppers, onions, herbs, sausage, tomatoes, rolled into bread dough, coarse-salted and rubbed with olive oil. While the bread baked, we worked in the garden, the half moon rising through crimson clouds over the peak of our house. She was chattery and happy. I love the evenings best, she said.

Poem (As the Cat)

As the cat
climbed over
the top of

the jamcloset
first the right

then the hind
stepped down

into the pit of
the empty

– Williams Carlos Williams



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Crossing Open Water

My canoeing experience, while somewhat lengthy, has always been confined to summery, pleasurable afternoons, on Vermont’s still lakes and ponds, often with swimming and almost always with kids. Only once, on my honeymoon, did I worry our canoe might flip.

Oddly, I found myself on nearly those same waters in Lake Champlain this weekend, worrying again if I might roll the canoe. While the two cheerful and sunglasses-wearing 12-year-old girls waited for the ferry, I headed out to an island with a canoe loaded low with camping gear, not looking closely at the lake – a very large lake – rough with wind, torn up with the furled wakes of motorboats.

After I spun around, I gave myself a rapid crash course in reading the water washing near the low sides of my canoe, keeping my prow headed into the waves – those long curls might have delighted me swimming near the shore but frightened me with all this water around. The silver ferry passed by with my smiling girls, waving merrily in the sunlight.

On the return leg of the journey, after a few days of bicycling and card playing on an island magical with fiery sumac and twining vines, the water lay invitingly still, just me and the ducks and few gulls cavorting overhead.

It was then, on that crossing, that I remembered the children’s father and I had paddled in a rainstorm to this same stretch of beach, from an island further out, in a canoe we had borrowed from his parents that had no lifejackets. In a different version of my life story, I would have taken the ferry with the girls and he would have rowed the canoe – much stronger than myself and far savvier at reading wind. He would not have gotten stuck on the far side of the island as I did, and struggled against the current to round the rocky edge.

As I rowed, the lake lifted against my old red fiberglass boat, all that deep blue water, stretching far further than I could imagine, filled with darting fish and frond-waving plants, the shale-splintery islands, boats with white sparkling sails, sunlight profuse, with sunken ships and ancient fossils. I had been reading David Hinton’s The Wilds of Poetry, filled with narrative and a collection of stunning poems, from Rexroth to Robinson Jeffers, a stonemason apprentice who built his house at Carmel-by-the-Sea, all about motion and change. Kismet reading for sleeping on an island. I imagined how the gulls might see me, a small woman with a braid and a wooden oar with a broken handle, rowing home with a basket of dirty clothes, crumbles of crackers, softening cheese, a coffee pot and an unfinished sweater on knitting needles. I could not have wished to be anywhere else than there.

On the mainland again, I unloaded the canoe and walked along the high bluffs, waiting for the ferry. The wind was picking up then, and the day, the first of August, was bright with promise. The grass could not have been greener. I read the heartbreaking memorial marked for the boys who had died in the Second World War and then leaned against a bent cedar tree, one small woman in a landscape beyond time, myself just one living piece of its infinity.

When I met the ferry, its captain asked if the two girls alone were mine. Yes, indeed, I said and walked onto the rattling gangplank to greet them.

I have tried to write Paradise

Do not move
Let the wind speak
that is paradise.

Ezra Pound, from Cantos in Hinton’s The Wilds of Poetry: Adventures in Mind and Landscapes


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Repeating Patterns

A few years ago, my daughter bent all the paper clips in our house into necklaces, a project involving pliers and colored beads, with incredibly cool results. One necklace still hangs from the windowsill in my room, crooked over the sill.

At the time, I was running a business out of our house that involved frequent and complicated mailings. One morning, I fumed around the house, muttering about the lack of paper clips, before I realized all those boxes of small metal pieces had been transformed into kid art.

There’s one pattern in my life: my intent adult life knocked up against the busyness of childhood.

In the end that day, I mailed out those so important papers sans paper clips, and here I am, years later, having forgotten what was on those papers while the necklace still hangs over my desk.

In the penetrating damp
I sleep under the bamboos….
One by one the stars go out.
Only the fireflies are left.
Birds cry over the water.
War breeds its consequences.
It is useless to worry,
Wakeful while the long night goes.

– Tu Fu, from “A Restless Night in Camp,” in David Hinton’s The Wilds of Poetry: Adventures in Mind and Landscape

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Watering Down Deep

When I was a kid in the backseat of our green Jeep while my parents drove back to New Hampshire from our trips to Toledo and then often west of the Mississippi, Vermont was the final stretch on a very long journey home, and my mother claimed it was always raining in Vermont. It sure can rain in Vermont.

This morning, mist waters broccoli starts I planted yesterday, spinach and lettuce sowed for fall consumption. Even as a kid, I was fascinated by Vermont, with its infinitely promising green depths – what’s in all those woods? We stopped at a sugarhouse, and I was lifted up to peer into an enormous pan steaming with boiling maple sap, where we tasted hot syrup from tiny paper cups.

Later, as a young adult, I lived for years not far from that very stretch of highway, Route 9, all tangles and bends, some of which the department of transportation straightened out since then, some which will always reflect the jagged steepness of those mountains. I later possessed a giant sap pan myself, and served countless cups of hot syrup to children.

What does a kid remember from a childhood, anyway? While my parents were fighting exhaustion and worn-out windshield wipers, bending the atlas, their younger daughter was in the backseat, sowing the seeds of her adulthood.

In retrospect: could have been worse. What’s going on in my backseat, while I’m reading the map?

Raising children was not about perfecting them or preparing them for job placement. What a hollow goal! Twenty-two years of struggles for what – your child sits inside at an Ikea table staring into a screen while outside the sky changes, the sun rises and falls, hawks float like zeppelins.

Dave Eggers, Heroes of the Frontier


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On the Footpath

Rain last night – cold rain in July. What about a sultry summer sunset?

At my parents’ urging, my 12-year-old and I watched Lion last night, and driving to work this morning I thought about how this is a story about home – about longing for home and what that means – a story that unfolds with secret after secret, all the way until the very last line.

Lion is a journey story, too. My daughters and I have taken so many journeys in these last few years, literal and metaphorical, that I might almost be tempted to lay down the journey fascination if traveling weren’t at the very heart of human life.

As my daughters grow up, now long past the toddler or little kid age, that cuddling, hand-holding phase, the journeys we each take get longer, deeper, more intricately complex. At the crux of our journeys, like everyone else on the planet our travels are inherently about ourselves and our loved (and sometimes unloved) ones. Same household, same parents: but each of my daughters travels a uniquely bending path, which at least has the benefit of keeping domestic life lively.

Here’s a few lines from my early morning reading, from Dave Eggers’ Heroes of the Frontier.

That only having left could she and her children achieve something like sublimity, that without movement there is no struggle, and without struggle there is no purpose, and without purpose there is nothing at all. She wanted to tell every mother, every father: There is meaning in motion.


Where we live now, Hardwick, Vermont

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Memorable Days

27 years ago, my oldest nephew was born. I was visiting his great-grandparents on that day. I had recently entered that family, and I was on my very best, most sparkling, ready-to-please behavior. His great-grandfather walked me around his property, pointing with pride to the peach trees. Elderly and ill, a minister by trade, he remarked he wouldn’t be around long to savor that fruit, but someone else would.

I was 22 then, fresh out of college, naive and deeply in love. I’ve thought back often over these years to his comment about those peach trees, and how much those words summed up that man’s life. Even then, hardly beyond childhood myself, I wanted that equanimity.

A few years later, after his death, and his wife was moved to Vermont to live nearer her two daughters, someone else bought the house and cut down those fruit trees. That, I suppose, is a whole different philosophy. It’s not mine to suppose what he would have made of that action, but it’s a question I’ve pondered, whose answer I’ll never receive.

A little girl under a peach tree,
Whose blossoms fall into the entrails
Of the earth.

– Basho


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