Taking Stock.

The little apple tree that someone planted at our house before I bought it boasts fist-sized apples this year, surprising me. The previous year, the tree produced just a handful of apples. The first year we lived here bore only a single fruit. But this year, one branch bends so low beneath the weight it threatens to break.

On an evening walk, I pick a single apple, its skin tart, the flesh mealy. Enough good for pie. That’s fine news for the day.

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Last, a little Richard Brautigan from Tokyo-Montana Express on this autumn morning:

“There are not too many fables about man’s misuse of sunflower seeds.” 

Fat Beauties.

Our cucumbers withered and died this year, producing little. For years, I’ve built my little mounds and buried seeds or planted my seedlings. This year, the extreme heat, the fluctuations of cold and rain, and sultry heat again, made the vines lie down and quit.

The queen of my garden is the sunflower, their golden faces open high above my head, friend to the sparrows and finches who dart through their stalks.

In the face of grim news, I offer this as a tiny sliver: the sunflowers are growing mightily. Bees are fattening.

Love Lies Bleeding.

My daughter returns from a hectic work week with a mason jar of flowers from a friend. Our cat immediately gnaws on a zinnia leaf, and so my daughter sets the jar of flowers on our table on the back porch.

A week later, the flowers are still vibrant — giant orange zinnias and sunflowers and maroon amaranth that drapes over the jar’s edge. This, despite the fluctuations of cold and heat for days.

The other name for amaranth is Love Lies Bleeding.

On this Saturday morning, my daughters already at work and soccer, I drink coffee and catch up with email. Next year, I imagine, maybe I’ll plant my entire garden in flowers, vegetables be damned. I won’t; I know that. But I sowed an enormous variety of Love Lies Bleeding in along my brassica this year. We’re devouring all of that.

September 1.

Geese are bunching together and flying south. They’re hightailing it out of Vermont, following their instinctive, ancient pathways.

My youngest and I eat dinner on the back porch — chard and carrots dumped into noodles, stirred with spoonfuls of a chili garlic sauce. I ask about her first days as a high school junior. As I listen, our littlest cat pushes his nose against the screen. It’s growing late, and there isn’t much daylight remaining. When she leaves for a walk, I wash up our few dishes, listening to a podcast my father emailed.

How utterly complex this world is.

Afterwards, I wander out with the compost bucket and then stand in the garden. The sunflowers are crazy tall this year. Also, utterly amazing.

“The greatest sources of our suffering are the lies we tell ourselves.” 

― Bessel A. van der Kolk, The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma

Garden, Hardwick, Vermont

Poetry, For Now.

Talking with friends by the side of a road, I notice a flock of Canada geese in the field across the road.

My friends tell me hunting season is just a few days away. The geese should move along.

My friends leave, too, one by one, and I linger with one woman, talking about farming in Vermont, an acquaintance we believe may have gone down the rat hole of QAnon, our elderly parents who live thousands of miles away. We branch into motherhood and gardening.

At the end of August, my youngest starts 11th grade today. The cats and I are up long before dawn this morning, the days dwindling at each end rapidly now. Next spring, with its promises of coltsfoot and trilliums seems forever away. I stand at our kitchen counter, drinking coffee, reading the New York Times.

Here’s a poem, not offered as an antidote to so many families, all over the globe, just solidarity.

Hope has holes

in its pockets. 

It leaves little

crumb trails

so that we, 

when anxious,

can follow it.

Hope’s secret: 

it doesn’t know

the destination–

it knows only

that all roads

begin with one 

foot in front

of the other.”

–Rosemerry Wahtola Trommer
Hardwick, Vermont

Petal. Stone. Blood.

Just before school starts this year, we spend a Sunday driving to the other side of Vermont, down along Lake Champlain, and crossing at the Crown Point bridge. There’s little traffic anywhere. We stop in Bristol for coffee, and then I keep driving, my friend and I in the front, our three daughters with their long legs sprawled in the back.

We’re headed to Fort Ticonderoga. Our daughters are taking an intensive history course this year, and I’m thinking the girls view the trip at first as a combination of the dusty past and an Instagram opportunity. Very quickly, we realize this is a site of stone, metal weapons, rammed earth, strategy, and bloodshed.

In the day’s sultriness, we wander behind the fort and discover the Fort’s immense gardens, now given over almost entirely to flowers. There’s few visitors and apparently no staff.

Below us, the lake lies still as a photograph, blue surrounded by the green hills. The crickets unfurl their slow late summer song. We’re in absolutely no rush at all, lingering among these flowers petals while, up on the hillside, someone bangs a constant dirge on a drum.

This ruined temple

should have its sad tale told only

by a clam digger.”

— Basho
Mount Defiance, New York