writing

Autumn Mysteries.

/ Brett Ann Stanciu / 7 Comments

Around a bend in the interstate, a rainbow leg glows. I’ve handed over the keys, and I’m in the passenger seat, knitting forgotten in my lap, as we hurtle along the pavement, rushing over bridges that rise over the Winooski River. Mid-October, dark is not far in the offing. I’m texting my daughter at home who’s feeding the cats and stirring the embers in the wood stove. It’s hopeless to tell my daughters that not so long ago whether someone was home or not was a mystery. Domestic life relied on a vein of faith.

Has the world less mystery now? Surely not. This autumn rainbow beckons us. Around us, an infinity of things we will never understand.

Between us, there’s a bit of discussion about which exit to take, but my driver humors me. There’s those maples before the gold-domed statehouse I want to see, the silver maple beside the library that holds its green longest. By then we’re laughing about a little joke between us — bulk foliage and bulk syrup — tossing those words back and forth for no clear reason at all except for a moment of pleasure.

Autumn: the swinging door between summer’s glory, the myriad folds of winter.

Above the fields,

above the roofs of the village houses,

the brilliance that made all life possible

becomes the cold stars.

Lie still and watch:

they give nothing but ask nothing.

From within the earth’s

bitter disgrace, coldness and barrenness

my friend the moon rises:

she is beautiful tonight, but when is she not beautiful?

— the incomparable Louise Glück, “October”

A Thief Running Away…

/ Brett Ann Stanciu / 4 Comments

Slacker, slacker, I’ve been about a few things in my life, the laundry folded and left in piles on tables, my blog idling, the emptied cans of cat food needing to be recycled.

These mornings, I’m up so early my glossy housecats are yet sleeping, curled in their cat balls, not yet grousing and purring for their breakfasts. A year ago, I believed I had finished a book; I had that draft in my hands. But a year later, here I am, drilling down, writing maniacally, to get all the way down to the end, in and out of chapters, between words, cutting and creating.

Walking to meet a friend after work, I suddenly see the whole shape — the beginning, the messy middle, the end — in the tangible image I’ve been searching for. That image is all through the book: now, some stitching together, a few crumbs for the reader’s delight.

Some of you have read clumsy drafts of this novel, and thank you, thank you. What a fool’s venture writing a book might seem. There’s never a guarantee of anything — of good work, of any money, of satisfaction. A year later, though, and I know this book inside out. I could recite sections, perhaps, if you and I spent time in a lock-up, although that, I hope, is unlikely.

Here’s what I learned this past year: worry about the few things that matter. Write as well and as hard as I can. Getting there, I think.

Here’s an article about human civilizations in Vermont that I’ve been thinking about all day, too.

A thief running away like mad from a ferocious watch-dog may be a splendid example of Zen.

— R. H. Blyth

Round Earth.

/ Brett Ann Stanciu / Leave a comment

Autumn reminds me the earth is a globe. The days shorten; dusk draws in earlier. The shadows hold a chill.

This year, purple asters spread prolifically — along roadsides, in the woods, in seemingly random sprigs around my house. The flowers flank the two pears in my front yard that someone planted years ago. One tree mightily growing, the other a persistent dwarf.

Autumn is the season of so it goes. What passed for summer this year is finished, the harvest wrapping up. In its own way, perhaps, the most poetic of all season.

Someone goes by wearing a hood
in his own darkness
not seeing the harvest moon

— Buson

Wild Strawberries under Wildfire Smoke.

/ Brett Ann Stanciu / 5 Comments

In Willey’s — the rambling general store where you can buy electrical supplies, French wine, local produce, bananas and darn near everything else except cigarettes — I turn a corner and find an old friend. She has a sunburn and I think: where have you been? We are both in some kind of rush that we talk, separate, and then knock up against each other again and again. The store is jammed to the ceiling with stuff, but it’s not that large. At the register and then out into the street, we keep talking. She’ll filled with such good energy I want to pocket some of her joy.

Every day, rain falls. Clotheslines droop. My feet are spongy in sandals. The Blundstones my daughter bought me a few years back split at the soles. It makes sense to wear these beloved shoes right down to wet scraps. I open and close the windows — is it hot? is it cold? The garden soaks up the water. The woods are lush and lovely, redolent with wet bark, the tanginess of split leaves.

The wild blackberries blossom profusely, the green berries now knotting. It’s nearly July, the season that means swimming and long lingering evenings watching the twilight drift down. Not so, this year. The pandemic made abundantly clear that we are connected to each other — both neighbors across the street and strangers around the globe — in ways that matter not one whit whether we like it, or not.

This summer breeds contemplation, more November than cusp of July. In that vein, here’s a few lines from the immortal T. S. Eliot in Four Quartets:

... The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

 You say I am repeating
Something I have said before.
 I shall say it again.

Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
 You must go by a way wherein there is no ecstasy.

In order to arrive at what you do not know
 You must go by a way which is the way of ignorance.

In order to possess what you do not possess
 You must go by the way of dispossession.

In order to arrive at what you are not
 You must go through the way in which you are not.

And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not...

A Motorcycle is a Vehicle of Change…

/ Brett Ann Stanciu / 1 Comment

On the cusp of the solstice, the evenings are chilly yet, mist pulling around our house.

I pull on a sweater — a wool sweater — as darkness falls and walk through the small stretch of woods into the cemetery. A stranger wearing a t-shirt and drinking a Fanta walks down. He looks at me as warily as I’m probably looking at him and then we exchange a mutual good evening and head each our own way, our mutual bit of our stories nothing but this.

Solstice — I’m hoping for sun and heat, for evening swims to stitch my summer together. I want to swim through pollen scattered on the still pond, glide through the ripples stirred by ducks, to have the mundane details of my life and my swimming companion’s life sewn together, swim by swim.

In the absence of swimming, I’ll sing the praises of those midday walks admiring the lupines and forget-me-nots, reading under the dwarf apple tree that’s long surpassed smallness, the fledgling robins clamoring for worms.

“A motorcycle is a vehicle of change, after all. It puts the wheels beneath a midlife crisis, or a coming-of-age saga, or even just the discovery of something new, something you didn’t realize was there. It provides the means to cross over, to transition, or to revitalize; motorcycles are self-discovery’s favorite vehicle.” 

— Lily Brooks-Dalton, Motorcycles I’ve Loved

Random Spring Scrawlings.

/ Brett Ann Stanciu / 5 Comments

Back about a hundred years ago when I started to read, my elementary school had these large books with colored pages. I read only on the right-hand pages, then flipped the book upside down, and read on the other side. The net effect was a perpetual mystery: I was reading forward, but there was always this tantalizing upside down text on the left-hand side. Could I dart my eyes there and jump ahead in the storyline?

The storyline had castles and princesses. I think of these books every spring, because Vermont spring colors are so darn brilliant — just like those colored pictures.

I’ve never seen those books again, although I searched for them for my own daughters.

May. Let’s never sugarcoat anything, never cheapen our world into an Instagram I’ve got more than you post. Snowflakes fell yesterday, even midday, swirling flakes. My daffodil petals were gnawed around the edges this morning. But it’s May. Spring alone: reason to live.