Little & Big Worlds

On an incredibly warm afternoon, a little girl discovers a pencil-thin garter snake curled up in the gravel alongside the library. Snow lies ubiquitous on the playground, but the earth there has emerged from its winter hibernation: a green iris shoot, dark mud. I love snakes, the girl says dreamily.

VPR carries news of the stock market’s plunge, of quarantine, of illness. All these factors, in one way or another, may eventually — later? sooner? — reach this little girl. For now, she stands in the snow in her boots and a t-shirt, staring at the creature. Under her arm is tucked a grownup natural history guide, a book she’s checked out of the library.

Later, after a nearly six-hour-long school board meeting filled with simply stuff, we lean back in chairs. It’s nearly midnight. There’s still snacks on the table. I’ve long finished my tea. Head home? I put my forehead on the school library’s table, its wood hard beneath my bone. Eventually, I gather my papers. Outside, the air is balmy. I breathe.

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Moonbeams

My daughter discovers the snow is hard-crusted, so after dinner we head out for a walk. The nearly-full moonlight illuminates the snow. We head behind our house, slip through the fence, and walk through the cemetery. Below us, the town’s lights wink red and white.

March, and I’m biting at the bit — but for what? The clamor of spring peepers. Those late afternoon swims, lazy on our backs, staring up at the sky. The scent of wet dirt on my palms.

Laundry on the line on this Sunday afternoon.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

by Naomi Shihab Nye

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Put a Fork in Winter

On a sunny and breezy Friday afternoon, the Transfer Station Guys assure me the back of winter is broke. Their weatherman — who’s never wrong — told snowmobilers and skiers to put a fork in winter. It’s about done in.

I’m on my way from here to there, later changing out of the mud boots I’d worn to the dump, switching to shoes on a sidewalk. A log truck driver, seeing me in sock feet, raises one hand in a thumbs up.

Later, picking up my daughter around five at the high school, the grownups stand around chatting while the kids scale the enormous, dirt-blackened snowbanks flanking the parking lot.

Redwing blackbirds are singing: oh, sweet harbingers of spring.

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This Offering

After a day of high school kids reciting poetry, I hold up in the Barre public library. Not far from me, a man unscrews a plastic bottle of sweet tea and mutters to himself. Abruptly, I pause my frantic emailing and wonder if I’m speaking to myself, too.

It’s March and sunny, and the snow has melted — not entirely, but a noticeable amount — since this morning. I’ve left my jacket in the car, as if daring myself to complain about this breeziness-with-a-promise-of-spring in my thin dress.

My head is still filled with poetry, and with the people I’ve met today who, in one way or another, bend their lives around writing and art — people who fashion meaning from the sometimes jagged stuff of this world.

Like libraries, poetry has always been a home to me, filled with the things of the world that both amuse and enchant me — like the man laughing at some secret only he might understand, and myself, staring out the window at a little girl in muddy black boots, digging through the soggy snow with a snapped-off stick, searching for treasure.

I am offering this poem to you,
since I have nothing else to give.
Keep it like a warm coat
when winter comes to cover you,
or like a pair of thick socks
the cold cannot bite through,
I love you…

— Jimmy Santiago Baca

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Barre, Vermont

Visitor, An Ask

On a sleety day in rural Woodbury, the bright spot in my afternoon is the woman who walks to the library — a mile or so on slushy backroads because she and her partner have no vehicle. The truck died.

She checks out books, we talk about men and raising kids, the cost of living in Vermont. I’ve been working in rural libraries and schools long enough now that I quickly know who’s hard up versus who’s driving that old Subaru because an old Subaru might make them look a little less affluent. In the sogginess of March, my library visitor is sharp and funny, with an amusing eye for details. Sitting there, in the warm library, after a few hours of relative quiet to catch up on work, I winch, thinking of how carless-ness, unemployment, and rural Vermont can crowd up against a person.

When I leave, I drive her down the road to Hardwick, the two of us, talking, talking. It’s after 5, and while dusk isn’t far off, the day still holds light. She’s pragmatic about her chances for a ride back up the road. I never know. Then, just before she gets out, she asks for two dollars, for him, the boyfriend.

… understanding, and action proceeding from understanding and guided by it, is the one weapon against the world’s bombardment, the one medicine, the one instrument by which liberty, health, and joy may be shaped or shaped towards, in the individual, and in the race.

James Agee

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March: Rejuvenation

We wake to a morning of deep cold and sun-sparkling fresh snow.

Illness has moved through my daughter; her eyes are merry again as she laughs with her sister. March 1: we’re ready to greet the remainder of the winter, the coming weeks of snow and cold that inevitably will end in mud.

These small and temporary illnesses have their place, too, pulling us inside and quieter. In a fever, I dream of a book I’m reading, how memory lies deep within our bodies. As if in a strange journey, the fever draws me into the mysteries of flesh and blood, of synapsis and neuron, and I’m a little child again, holding a paper doll. The slick paper is tangible beneath my fingertips.

The dream ends, and I’m here again, mother to two daughters who are laughing as they do math homework together.

The linear view of time may be an illusion, but it’s one I’m happy to join again, finished with illness and fever, ready for March, green, spring.

When the winter chrysanthemums go,
There’s nothing to write about
But radishes.

— Basho

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Photo by Molly S./Hardwick, Vermont