Ruined!

In this sweet May rain, working on the covered porch of one of my favorite libraries, I remember a rainstorm about a year ago. My daughter and I were in Rome, eating dinner in an outdoor café. In the storm, the staff had pulled a plastic cover over the terrace. The effect was warm, cozy, intimate. Beside me, a group of young men were drinking wine. One man remarked that Italy had ruined him. There was no way he could return to his Chicago cubicle and drink lousy Dunkin’ Donuts coffee. Hearing this, my daughter and I laughed aloud. Italy had ruined us, pleasurably, too.

Likewise, after a week of such largesse at the Vermont Studio Center — the gift of time and space, the pampering of meals, the kindness of the place — I wondered if I might be a little ruined, too.

Not so, perhaps. May in Vermont is one of my most favorite times. Here’s the gold of marsh marigolds behind an old grange. Gold.

A great fountain of white gossamer…

From New Mexico with its sheer light, I descend back to April Vermont, where miniature daffodils push their yellow faces through last year’s leaf mulch. How well I know Vermont spring — the sunny breezy days where the wind tosses the lake and the water is bluer than blue, the footpath sprinkled with the gold gems of coltsfoot.

After the desert’s sweeping beauty, Vermont is a mossy box, a jumble of the paint peeling from the back of my house, the bin of empty cat food cans in barn (quit kicking that dump run into the next week), the niggling college financial aid forms yet to be corrected, the working hours I string together, making some decent use of my time.

April is a month that goes on too long, lingers brown in northern Vermont, with its tease of green trout lily leaves, the flourish of wild ramps. Paradoxically, April has always seemed the most hopeful of seasons, too, the nesting songbirds sweeping out winter’s silence.

In the evening, my daughter and I walk her dogs across the cemetery to the ballfields. Off leash, the three of them run while I stand in the field’s center, listening to the robins’ chatter in the white pines. Back at my house, we stand by the woodpile, talking about little things — who will take the leftover garlic bread, did the butterfly bush survive the winter. The rising moon illuminates the clouding-up horizon with a glowing shaft. We linger, watching the full moon sail confidently, unstoppably, over the horizon. Later, I linger on the back porch, sipping tea. The moon has removed the lid of shoebox Vermont. The air’s sweet with wet soil.

Springtime, 1998

Our upstate April
        is cold and gray.
                 Nevertheless

yesterday I found
        up in our old
                 woods on the littered

ground dogtooth violets
        standing around
                 and blooming

wisely. And by the edge
        of the Bo’s road at the far
                 side of the meadow

where the limestone ledge
        crops out our wild
                 cherry trees

were making a great fountain
        of white gossamer.
                 Joe-Anne went

and snipped a few small boughs
        and made a beautiful
                 arrangement

in the kitchen window
        where I sit now
                 surrounded.

— Hayden Carruth

Strangers’ sweetness, flying United.

In a sleepwalking haze, I make my way from Albuquerque’s sunny airport to slushy gray Denver (winter, again?!) On the cross-country flight, I make friends with my seatmate, tossing away the nap option for our conversation about camping at Zion National Park. We part ways at Dulles. Walking through the airport’s chaos, I remember that Zion trip in our green Jeep when I was a girl. We tubed down the river all day. I smacked my hip on a rock. That evening, we devoured sausages roasted over a fire, admired the moonrise. Such happy hours.

Later, descending into Burlington, Vermont, the plane cuts down through the brilliant clouds, the underbelly smoky gray, furled with nascent rain or snow. A crimson blush scrims over the mountains, the merest beginnings of tree buds. Dusk hovers. I think of my daughter waiting for me in the nearly empty airport, all grown up now, car keys in her hand. I’m hungry for whatever food she’s brought and, mostly, for the conversation on our drive home.

As the plane brakes on the tarmac, the young couple with the baby beside me remarks that this was their baby’s first plane trip. Around me, the passengers cheer, “What a baby!” but quietly, so the little one isn’t frightened. The parents glow with happiness, the baby coos contentedly, the crowd keeps on, “Great baby! Great baby!” Such a long journey this has been and will be; so happy I am to hear this joyful mantra.

…. Last, a little more about my mother.

A little Madness in the Spring.

Post-eclipse, rain moves in, balmy tinged with cold. Rain will force spring’s green. Our lives spin on — of course, of course — but the eclipse and all its radiant glory trails us, the collective experience of the cosmos’ unflinching steadiness and how the heavenly bodies align, majestically moving in their infinite complexity. No stasis in this life.

Someone recently asserted to me the caliber of her character — I’m a good person — and the phrase lingers with me, far more a reflection of my wavering self than of the speaker. We’re so unlike the celestial bodies, our mortal bodies driven by gravity and time, but our actions dominated by our uniquely strange brew of our jumbled lives, passions, weaknesses.

The eclipse’s profound beauty for a few moments swept away the pettiness of our thin ideas, our nattering chatter about so much that, in reality, amounts to scant little. Perhaps the eclipse unified us not only by its luminescent beauty, but tugged out the finer strands of us, too.

For a day or two, Vermont was jammed with visitors from so many places. Vermont’s not unique with much that’s happened in recent history — floods and wildfire smoke, the pandemic, and division and division and division. My state also has some of the greatest privileges on the planet: absence of warfare, significant wealth. Let the eclipse bloom last long, carry us through a muddy spring and into summer, keep us questioning what our own goodness might mean, and how goodness transmutes into action.

Last, not least: my giddy joy of gold crocuses. Chionodoxa, AKA glory of the snow, scattered over muddy hillsides, last year’s dull lawns.

A little Madness in the Spring
Is wholesome even for the King,
But God be with the Clown—

Who ponders this tremendous scene—
This whole Experiment of Green—
As if it were his own!

— Emily Dickinson

Awe.

Photo courtesy Molly S.

Just about a year ago, my daughter and I climbed multiple stone steps in the Cathedral of Santa Maria del Fiore in Florence, the stunning cathedral finished before Columbus set sail on a journey that changed the fate of the globe. As we climbed, the organ played. The windows were holes in the stone, and wind washed in. Suddenly, we stepped out onto a narrow ledge where we could see down into the giant cathedral. I knew myself part of this ancient building — alive in the most beautiful structure, in a time that flew back to medieval Europe.

Awe. I’ve participated in so many radiant experiences, but peak awe? It’s a rarity. Right? We couldn’t live if we were always in awe: the Florence Duomo, childbirth, a night of the constellations and some psychedelics….

For those of you not in the know, northern Vermont has been amping up anticipation for the total eclipse. For once, the weather cooperated absolutely perfectly. The state shut down. Go home! Enjoy! We sprawled over the wet grass with neighbors. As the moon and sun began to cross, traffic sounds ceased. Did the wind pick up, or could we simply hear better? I had expected a few moments of the lovely night sky in the middle of the afternoon. But no, no. Instead, a radiant world abruptly glowed. Along the mountains where the sun rises scarlet these mornings, the sky was heavenly blue, rimmed with the purest gold. There were no three minutes of totality. No time at all. It was simply us — all of us — breathing and gasping with great joy.

Your own darkness.

An old friend from years ago sends me a message. She’s persistent, wearing down through my imposed or self-imposed hermitage, whatever this thing is I’m doing, and I drive myself out on muddy roads. She has such a lovely little girl, I’m smitten immediately. I sit down on the floor and chat up the child, and eventually remember my good friend and how much I enjoy her world. She’s funny, with boundless good will and cleverness, in a life that’s had her share of lemons.

End of March, nearly Easter, my perennials spike up further every day. How the earth desires green. I’m far enough along now in my own life that I know the cupboard of my mortal life will always hold certain grooves and scars, its beaten shape, the way the material in my life has shaped me. Aren’t we all that way, though? Maybe this is why spring is the dearest of seasons, that from mud and ice emerge tender shoots, the improbable made manifest every year.

Beginning

The moon drops one or two feathers into the field.   
The dark wheat listens.
Be still.
Now.
There they are, the moon’s young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.

— James Wright