On the Move.

My father’s physical therapist tells him to keep moving. No matter what, keep moving to keep alive. My dad, thankfully, keeps moving.

My youngest and I are about to be on the move, too. We’ve left our cats and our house with competent and caring people, and are headed out for a spell. I’ll send a few photos along the way.

On the precipice of young womanhood, she’s game. And me — I’m somewhere in the Dante dark woods of what I hope will be a long life yet to come. It’s been a long pandemic, a long haul, for me, and certainly for you — for all of you reading my words.

Keep moving, keep alive in body and soul. I’ll be home to plant a bed of spring flowers.

Cloud, Lake, Crackers.

Ever enthusiastic, my oldest buys a blow-up paddle board, and we set off on a Saturday afternoon. Her sister wonders if the lake will be frozen yet. In 70 degree temps — a strange April spike — ice seems impossible, until it’s not.

While she paddles in the patch of open water, her sister and I sit on the dock that isn’t yet pulled into the lake, either. We’re in a marshy area where the peepers are mightily going at what they do best, and redwing blackbirds yodel their throaty calls. Two ducks cruise by, intent on something else that entirely eludes us, too, the male with his emerald head trailing the brown female.

We’re in t-shirts and shorts, spring giddy, eating crackers and some of that cheese the lovely Cabot Library gifted me for a talk. When I returned home that night, my youngest opened the box of cheese with joy. The chionodoxa blue flowers are blooming.

Joy, on.

Small Citizen.

A few streets over, the neighbors are out with their little girl. She’s wearing a helmet and holds the handles of a pink bike that I’m nearly certain is new to her from the cautious way she thumbs the handgrips, as if still thinking through what this might mean. This alone is good news for this windy April day, a girl and her bike and an imagination sparking in her eyes. As I pass by, I wave, but the girl is in her world, and the adults are bickering about dog shit under the front yard’s single tree. I laugh because, well, what else? Been there, on both sides of that equation. When I return from the post office, the girl is making long slow circles in an empty street, the adults are leaning against a fence, sharing a cigarette, and the sun promises to shine all afternoon — cold, brisk, exactly what we expect in Vermont’s April.

And, for no reason at all, one of my favorite poems….

Citizen of Dark Times

by Kim Stafford

Agenda in a time of fear: Be not afraid.
When things go wrong, do right.
Set out by the half-light of the seeker.
For the well-lit problem begins to heal.

Learn tropism toward the difficult.
We have not arrived to explain, but to sing.
Young idealism ripens into an ethical life.
Prune back regret to let faith grow.

When you hit rock bottom, dig farther down.
Grief is the seed of singing, shame the seed of song.
Keep seeing what you are not saying.
Plunder your reticence.

Songbird guards a twig, its only weapon a song.

Reasons…

Rainy afternoon. I wander through the neighborhood where I once considered buying a house. Someone else lives there now. With new paint and two rocking chairs on the front porch, I need a moment to recognize the house, to remember the kitchen door I went through, envisioning in those days how my life might bend.

These years, walking by, I’ve watched the vehicles’ license plates change from Maine to Vermont, a tricycle appear, a front step break, two hydrangeas expand in the front yard.

April: season of mud and rain, snow and patience. Some reasons are obvious. Snow vanishes first on south-facing slopes, but other patches around us aren’t so readily knowable. Why does snow cling to some fields and not others? Quickly running water beneath, perhaps, the softening of what our human eyes can’t see, the knowledge gained only by years of our wandering footsteps.

So it goes. April, thaw, brown to pea green.

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun…

From Joy Harjo’s “Perhaps the World Ends Here”

No one owns the mud, either.

As the snow melts, the mud comes up. A friend says, But it’s so dirty. I think, Bring on the dirt.

On a sunny afternoon, I disappear early, head out to those secret places where I know the redwing blackbirds sing. There’s nothing I can hold in my hand, nothing I can pocket to bring home and leave on the kitchen table for my daughter, no sign of where I’ve been or what I’ve done, save for the mud that sheds from my boots on the door mat. That, too, is my affair. I sweep it up and empty the dustpan over the back deck.

“Advice from Rock Creek Park”

What will survive us
has already begun
 
Oak galls
Two termites’ curious
self-perpetuating bodies
 
Letting the light through the gaps
 
They lay out their allegiances
under the roots
of an overturned tree
 
Almost always better
to build than to wreck
 
You can build in a wreck
 
Under the roots
of an overturned tree
 
Consider the martin that hefts
herself over traffic cones
 
Consider her shadow
misaligned
over parking-lot cement
Saran Wrap scrap in her beak
 
Nothing lasts
forever not even
the future we want
 
The President has never
owned the rain

— By Stephanie Burt

March. Flowers.

At the co-op, the words are: dirty March. So much snow, rain, the deep ooze of mud, what feels like the very faraway promise of green. Returning home, the teenager has burned herself reading on the back deck. One cat let the other eat his dinner and yowls plaintively, furiously, at household injustice. Stove ash and common dust have invaded the house. Sunlight spills through the windows onto the floor.

March: the season of radiant joy, sullen unhappiness. I lie awake and wonder about my own private death: next week, next month, or four decades from now? I decide the only reasonable course is to bargain for forty more years on this planet, and inevitably take what comes.

Thursday, the day dawns with the scent of loosening mud. The rain slides in. Midday, redwing blackbirds.

A good day for a poem:

Flowers, by Cynthia Zarin

This morning I was walking upstairs
from the kitchen, carrying your
beautiful flowers, the flowers you
 
brought me last night, calla lilies
and something else, I am not
sure what to call them, white flowers,
 
of course you had no way of knowing
it has been years since I bought
white flowers—but now you have
 
and here they are again. I was carrying
your flowers and a coffee cup
and a soft yellow handbag and a book
 
of poems by a Chinese poet, in
which I had just read the words “come
or go but don’t just stand there
 
in the doorway,” as usual I was
carrying too many things, you
would have laughed if you saw me.
 
It seemed especially important
not to spill the coffee as I usually
do, as I turned up the stairs,
 
inside the whorl of the house as if
I were walking up inside the lilies.
I do not know how to hold all
 
the beauty and sorrow of my life.