On the train to Florence, we strike up a conversation with a couple from Australia who are traveling with both their mothers. He’s interested in American universities and chats with my daughter about dorms and loans and degrees. He’s in banking. His wife works from home and hasn’t gone into the office in two and a half years. Sometimes, she says, she stands in the backyard and talks to the birds for company.
In Florence, our windows look over red roof tiles. Pigeons nestle in the ivy.
We leave our dear friends in Switzerland. That morning, we walked in the forest among mighty mountains with their cat.
In Italy, the trains are jammed. We enter the wrong car. In a mixture of languages, people pass luggage back and forth. Lemons bend down tree branches here. We eat creatures from the sea. Such a long way we have come, to this world of color and wisteria fragrance. Cats sun themselves on ancient stone walls.
A very long way we have traveled, the youngest daughter and me, stocking up on new sights of very old places, and now headed to dear friends.
In this enchanting, beautiful city, we drink coffee and walk until our heels are bloodied. This enormous world. On a rooftop garden, we discover a snail in a rainbow of blossoms, watch a wedding.
Early April, hot midday sun, I spy a Mourning Cloak butterfly darting over frozen Caspian Lake. The water has thawed blue holes in sporadic places around the shore, but the snow still crumbles into my boots as I follow the butterfly. The butterfly darts into a stand of cedars and disappears. On this afternoon, how lovely the lake lies, just me and the boarded-up summer cottages, the rusting can used for worms or smokes emerging from its wintering over beside a porch post. The ice spreads out in varying ribbons of pale blue and pearl.
On my back through town, my boot avoids the first of miniature grape hyacinths, tiny buds and furled leaves emerging from gravel.
This spring day, Van Gogh is on my mind, his immense talent, troubled mind, these words: “Great things are not done by impulse, but by a series of small things brought together. And great things are not something accidental, but must certainly be willed.”
Monday.
Everyone has their own familiar paths and places. This empty stretch of interstate in the Netherlands between Vermont and New Hampshire my daughters and I have traveled countless times now, in all varieties of weather and moods. Now, so many years into this, one daughter is grown, the other on the cusp. My daughters look at my brother and me with a mixture of so many things — what, precisely, neither he nor I need to speculate. Laughing, he suggest to them that he and I equal a full person, our meager strengths and copious broken places complementary. I suggest, Maybe even a little more than one person….
I’m grateful to be invited to read and speak at the Cabot Public Library Tuesday, April 11, 7 p.m. in a real-life deal. Come if you can.
And — definitely worth a read — Matthew Desmond’s Poverty, By America.
Poverty was a relationship, I thought, involving poor and rich people alike. To understand poverty, I needed to understand that relationship. This sent me searching for a process that bound poor and rich people together in mutual dependence and struggle. Eviction was such a process.
Checking out at the co-op, an acquaintance says she has a question for me. I follow her outside, and we stand in the falling snow, she with her bags full and me with the tomato and yogurt my youngest requested.
Through the snow, the mural across the street glows its brilliant rainbow of colors. Across Vermont, murals have appeared in the past few years, not just in the usual suspect cities — Burlington and Brattleboro — but in places where art seems least expected: a parking lot, or the roadside field in Jeffersonville where cement silos are beautifully painted with an old man sowing seeds, a red clover blossom. Half a decade ago, driving with four young teenagers, I pulled over and we walked around and into the empty cement tubes. Springtime, we splashed through standing water in the hayfield.
Now, snow swirls around us, my favorite kind of drifting snow, magical and full of possibilities. We talk for maybe ten minutes, while I hold that tomato and a paper bag of granola, shivering, while people trudge through the snow around us, buying baguettes and greens and bottles of wine. We’ll find no answers in our brief conversation that picks up those knots of privilege and power, of pretense and betrayal. This far along in our lives, there’s nothing textbook here. The questions shape our lives, the little world where we live.
I suggest a sliver of a solution, a tiny change, a minuscule movement, a small slice of good. By then, I’m shivering fiercely. The night’s falling down, and my small household will be hungry.
The painter’s vision is not a lens,
it trembles to caress the light.
— Robert Lowell, “Epilogue”
