Art For The People

What I might lamely describe as rain and the middle school girls laughingly referred to as moistiness, we stopped at the two painted silos. Beautifully painted with agricultural scenes, these two silos stood empty by the side of Route 15 for years.

I walked through a puddle-ish field. The girls, impetuous, ran.

I’ve been aching for weeks now for some brightness of color — and here it was — art transforming the landscape.  Around the back of the further one was a barred owl I hadn’t seen. The girls wandered over cement pad around the silo, talking about what might have once been here.

Four more cars had parked around mine. We took one last look and headed off into the mist and rain — the moistiness — again.

In art, either as creators or participators, we are helped to remember some of the glorious things we have forgotten, and some of the terrible things we were asked to endure…

— From Madeline L’Engle’s Walking on Water

 

Succor

When I was twenty-eight and living in a hunting camp with my husband, I read Ernie Hebert’s The Dogs of March. The building was heated — well, we attempted heating — with a barrel stove designed for coal. The little insulation in the walls had been gnawed to just about nothing by mice. But this isn’t a story about how young I was then, how naively starry-eyed for so very long, but my first introduction to that word. I was so innocent then I thought the word was out-of-place in that novel.

Much later, my daughter’s kindergarten teacher suggested families acquire the habit of repeating the same family walk, no matter the weather. We had already established this, and likely because my husband and I had walked all through our childhoods. Even now, in a different house, one of the first things the girls and I did — and unconsciously — was try different walks. Where’s a better view? A running creek?

Today, I realized one of our walks has been downtown Montpelier and around the state house — again, in every kind of weather — and in the enormous crowds at the 2017 women’s march.

Walking is succor, a lifting up and an assistance. A widening from the narrowness of ourselves, a reminder of sky above, the eternal steadiness of the earth beneath our feet. The robins nesting in the maples on the state house lawn. Nearly 13 summers ago, on hot July and August days, I nursed my baby beneath those maples while the 6-year-old ate cookies and ran barefoot on the grass.

One repeated the same old mistakes. Each of us has a blind spot in his thinking that defeats him time and again against all teaching and experience and pain.

— Ernest Hebert, The Dogs of March

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Montpelier, VT, April 15

Still Chilly….

The week after my birthday, my daughters throw me a surprise party — I walk into the house where the girls had made cupcakes and hung streamers and balloons and think, how nice, the girls have been busy this afternoon — and then my office door opens and person after person appears, like that classic skit of clowns unfolding from a tiny car — a skit so dated my daughters likely don’t know it.

Afterwards, my older daughter revealed the plan had been weeks in the making, and I must have known, because I know everything. Apparently, not.

My brother’s here, too: perhaps the greatest surprise. While he grills sausage, we laughingly make our usual pact — no ER or law enforcement this visit. Most of these people I have known now for years; many moved us from our old house. One guest laments the tape on the ceiling holding up the streamers, and I shrug it off. While I love this house and don’t particularly like painting ceilings, we live here now, and I hope to have birthday after birthday in these rooms.

That night, we set off the remaining Roman candles from my daughter’s high school graduation party — yes, we packed and brought those fireworks, too.

Sometimes we don’t say anything. Sometimes
we sit on the deck and stare at the masses of
goldenrod where the garden used to be
and watch the color change form day to day…

— From Hayden Carruth’s “Silence”

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Sign of Spring, Hardwick, VT, #8

Raising teenagers so often feels in your face hard — sometimes breathtakingly hilarious, sometimes just not.

I remind myself of running rivers. Not far from us, Buffalo Mountain’s watershed drains into Cooper Brook, which runs around the log yard and by the old granite cutting fields into the Lamoille, which bends its sinuous way through town. Watching drone footage over our town, my daughters remark on the river’s size, its curves all through town, and how we take its mighty presence for granted.

On a Sunday walk today, robins flocked around us. Ahead, a woodchuck disappeared down a hole. Garden predators are stirring, too!

….There’s one chuck left. Old wily fellow, he keeps
me cocked and ready day after day after day…..

From Maxine Kumin’s “Woodchucks”

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Sign of Spring, Hardwick, VT, #7

My friend down the road emails a complaint regarding the break in my signs of spring project — because there isn’t any! she writes.

True, snow returned yesterday. Enormous, lacy flakes that would have been beautiful December — say — rather than April. It’s spring, all right, but spring is a very lengthy season in Vermont. For those two decades I sugared, through an awful lot of cold and sleet and the terrible early March when 70º temperatures ruined that year’s season and a chunk of our year’s income, the word persistence has gradually evolved in my way of thinking to patience.

Every year, although I’ve lived in New England for most of my life, I somehow have this mistaken notion spring will be brief and brilliant. But autumn is gradual, too, the light at that end of the year bit by bit dwindling before it disappears.

Hidden beneath that coverlet of snow, my garlic I’m sure is beginning to stretch and prod in its lightless place. This morning, the sky bends toward blue. Here’s this sign of spring: light.

The wound is the place where the Light enters you.

— Rumi

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Hiatus in My Signs of Spring Project

About that April is the cruelest month line…..

Wind tore around the house last night, howling. I left this morning in the dark, with clouds rushing over the waning moon. It was so early the sky was yet that deep blue, nearly black, just before dawn.

The nights are cold enough the warm house is welcome. The 12-year-old, teetering on that cusp of childhood and teenage-land, revamps her cardboard cathouse creation, from a Victorian three-story into a sprawling mansion. The cats, bored with me when I’m not feeding them, clamber excitedly through her construction zone.

April is that in-between month, too. Winter dying — hard, reluctant — the soil not loosened for planting peas. Every day is longer, the sunlight rushing headlong back to us. Bring it on!

The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.

— Wendell Berry, The Unsettling of America

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