Summer, Age 14

14 years ago yesterday, I sat in my friend’s kitchen nursing my newborn while she labored to bring into the world her daughter. Her mother-in-law served me a bowl of chicken soup from an enormous pot she had cooked.

Returning from a walk yesterday evening, I spy my daughter reading on front porch with her cats. Those days with an infant I hardly had a sense of evening from afternoon, in that churning wheel of nursing and diapers and tending.

Time passing threads all through my writing — how can it not? — and yet, sometimes I find myself staring through a window, thinking, here we are, right at this very moment.

The strongest of all warriors are these two — Time and Patience.

Leo Tolstoy, War and Peace

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Home

Nearly two years ago we moved into our house — from the house where my daughters had lived their whole lives. Now, two years in, this new-to-us 100-year-old house, the house has morphed into home, with a particular shade of yellow I painted the dining room, our first chicken buried in the backyard, the front porch filled with piles of library books, Yahtzee score cards marked up, kid sweatshirts.

Infinitely lucky we three females are, to move five miles down the road, from a forest to a town, our cardboard boxes ferried by friends.

Here’s my State 14 postcard.

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Teen Somersaults

The rain cleared in the early evening, and my daughter and I hung out on her trampoline while she waited for her friend. She’s a pro; I’m a novice. Eventually, I lay back and stared at the clouds breaking apart, and the enormous box elders behind  our house, leafing out.

She, at nearly 14, demonstrated all the moves that can be done on a trampoline. In her face, I could see the sweet impishness of her earliest years.

Rain, rain this May. There’s a kind of rightness to this, the earth and the ponds and the saplings and plants rushing headlong toward green and procreation. May is the season for this, and there’s a sweet satisfaction in the daily discoveries of what’s grown each day. May: bring it on!

Why speak of the use
of poetry? Poetry
is what uses us.

—Hayden Carruth

Magic Trick

Like a great joke, a few more inches of snow arrived on April Fool’s Day. By afternoon, however, the day evolved to a breezy sunniness, brisk but radiant. I walked with writer Natalie Kinsey-Warnock to her car in the Woodbury School’s dirt parking lot. It’s Woodbury — the village built in a swamp — and, for that moment, there’s nowhere I’d rather be. In the treetops, blackbirds sang crazily. Why not? It’s Vermont spring.

Natalie shared stories with the school kids today, and at one point, I couldn’t figure out what she was headed — how did a 1865 steamboat catastrophe in the Mississippi River figure into rural Vermont?

Then, abruptly, like whisking an indigo rabbit from a top hat, the story shimmered. It’s as though Natalie unfurled one of her grandmother’s handstitched quilts, and the connections between the history’s enormity and this woman, and these children and their own place in history, lie visible as much as can anything can be seen in history’s rough beauty, the concealed pieces teasingly beckoning.

I’m the librarian, the hostess of this event, the timekeeper to move this along, make sure the kids have time to grab their coats and catch the school bus, but for these moments I’m merely me, surrounded by these rapt children, loving this particular story.

Oh, the long days of circling to sow and reap,
but, O, those few days on the river each year.

— Leland Kinsey, from “Northern Traverse”

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One Gallon of Paint: What It Creates

My daughter and I paint my bedroom a light blue that reminds me of a bedroom I painted the summer I was 21 and living in an old house in Brattleboro. Those hot months, I was waitressing at the Skyline Restaurant, making great tips. On my days off, a friend and I painted much of that house and drank gin and tonics. While my afternoons of G&Ts have long passed, painting hasn’t.

I pour the paint into the pan; my daughter gently sets her cats outside the door and then takes the roller from my hand. I got it, she says. I stand back, offering my pro tips about using enough paint, and she repeats again, gently, I got it.

Truth is, she does.

I pick up the paintbrush and continue cutting in, keeping ahead of her in some kind of way. After a while, she hands me back the roller and heads out to her cats who are stretching their paws under the door.

Listening to the redwing blackbirds through the open window, I wonder about the paint and wallpaper layers in this 100-year-old house. Who’s been here, over these years? Us, now.

“Finding A Long Gray Hair” by Jane Kenyon

I scrub the long floorboards
in the kitchen, repeating
the motions of other women
who have lived in this house.
And when I find a long gray hair
floating in the pail,
I feel my life added to theirs.

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Spring in the Body

After a day inside, a flock of geese flies north over my head while I’m at a gas station, standing in a few sprinkles of rain, breathing the damp, soon-to-snow air.

North.

The birds flap steadily. I’m too near the interstate and Route 100, crazy with commuter traffic, to listen for honking. But for that immeasurable moment, it’s just me and the geese — none of what so often consumes me: the steady thrum of work, the wild sprawl of my family’s emotions, the incessant chatter of my own thoughts.

River valley, snow-crested mountains, those little tepid raindrops falling on my face, wet breeze, myself: the collective body of us beckon spring. The geese wing over the river, imperturbably.

This dewdrop world
Is a dewdrop world,
And yet, and yet . . .

— Issa

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Photo by Molly B.