Yes, Summer

My 13-year-old wraps an ice pack in a kitchen towel and gently rubs it along her cat’s hot paws. The furry creature nuzzles his head against the cold pack. Hot, hot, the cats lie on the wood floor, panting.

Viridescence begins this July, these very long days slick with humidity, turbulent with thunderstorms, the domestic garden and wild woods pulsing, rampaging green — growing headlong, magnificently wild.

This slice of summer is the season of cousins, of sprawling sunsets and lingering dusk, s’mores, and the overarching goal for today: swimming.

In a New Hampshire river, my daughter stands at the edge of a waterfall — the rocks around us radiating heat, the water so cold the small bones in our feet ache. She disappears behind the waterfall, wholly hidden by the frothing water, then emerges blinking and drenched, her smile luminescent.

The short summer night.
The dream and real
Are same things.

— Takahama Kyoshi

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These Unbroken Days

Nearly July, we’ve had rain, and we’ve had sun — an apt metaphor for life, I suppose.

Early this morning when the sun spread its inimitable crimson across the horizon, and the cats stepped on my hands, reminding me gently of their hunger, I lay listening to the birds and thinking how wrong I was to envision my life as pieces — work for these hours, sandwich in volleyball, the endless litany of email, handfuls of garlic scapes I picked from the garden, hanging laundry on the line.

Our lives — my daughters’ and mine, the others around us — flow as one stream, sometimes turbulent, sometimes sweet as a June rose petal.

I’m folding up the laptop for a few days, in this summer melody.

 According to Flannery O’Connor, the fiction writer’s material falls into two categories: mystery and manners. The latter are, for the most part, observable human behaviors, often socially constructed…. while the former, which reside at our human center, constitute the deeper truths of our being. These truths we often keep secret, because to reveal them makes us vulnerable. To my mind, an even deeper mystery than the secrets we keep is the mystery of the way our hearts incline toward this person and not that one, how one soul selects another for its company, how we recognize companion souls as we make our way through the world…

— Jennifer Finney Boylan, She’s Not There: A Life in Two Genders

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What Remains

In a 21st-century version of a paper airplane, my 19-year-old texts me at work that her younger sister’s favorite chicken was devoured in the night hours.

I step out in the stairway and call home. Yes, I’ll bury the remains.

Every chicken owner I know has lost birds — to hawks, dogs, raccoons, the soup pot. There’s so many feathers on a chicken, or what the fox left of a chicken — golden and soft as milkweed fluff. As I bury the back and feet and the bright red guts, I remember walking my youngest in her stroller along our road, her tiny fingers carefully pulling apart milkweed pods so the fluff would drift away in the sunlight.

That morning at work, in a tiny and windowless room, I’m on the phone with a teacher who’s taught agriculture in a public school for over half a century, gathering some final details for the piece I’m writing about him. When chickens come up in our conversation, I mention my daughter has lost her first. He says one word, just a sympathetic, “Ah…”

My daughter, ever the pragmatist, says simply, “At least it wasn’t my cats. Foxes eat cats.”

As I walked home last evening, rain began falling, just a little mist that, during the night, slowly accumulated into a real summer rainfall. Drink it up, sweet earth, thirsty garden.

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Good Humor

My dad had this phrase when I was a kid — a high-entropy day — a confluence of crazy, falling-apartness. All those years we sugared, March was high-entropy: we endured ice storms, broken machinery, illness, unexpected expenses.

In snowy and muddy Vermont March days, I always fooled myself into believing June was nothing but sweetness.

June, yesterday, green and gorgeous, and around us: chaos — all the factors of work and extended family, wound through with the golden chicken who got into the neighbors’ garden. At the end of the day, I stood in our upstairs glassed-in porch, threading through a work problem on the phone, watching birds dart around our house. Little tiny birds I didn’t know dove into an enormous, flowering mock orange tree.

When I came downstairs, where my girls were at the dinner table, they showed me a three-line text from their MIA parent, the one who hasn’t so much as given his girls a piece of bread in years — travels with father — and I laughed. Here’s the epitome of family life, maybe of human life: a baffling and incredibly painful mystery. What the heck does any of this mean?

I write this not so much because it’s my story, but because I see this reflected over and over in the families around me: that the harder years of parenting through adolescence, through parental desires met and unmet, bring to the forefront those tensions between what’s best for the one, and what’s best for the family.

My girls and I kept eating and talking. I fed our cat a bit of bacon from my fingers. The windows were all open, and the scent of the roses drifted in. We kept talking about the day’s chaos, and then we kept laughing and laughing. It’s the only antidote I know — laughter — to the hardness of family life, to just the plain-out strangeness of what might seem so simple.

Then we went out to talk to the chickens, too.

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Antidote

A photograph of my daughter and her friend is on a Good Citizen poster.

What the heck does that mean, she asks? Who’s a good citizen?

I drag up my standard answers: that history matters, that good fortune doesn’t equate with good character, that our actions affect others, whether we see — or want to see — this or not.

Later, I realize I should add this in: read and write poetry.

Poems build our capacity for imaginative thinking, create a tolerance for ambiguity, and foster an appreciation for the role of the unknown in human life. From such compact structures of language, from so few poems, so much can be reinforced that is currently at risk in our culture.

— Tony Hoagland, Twenty Poems That Could Save America

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Age 19

Oh, ode to June in all her lovely greenery.

Remember being 19-years-old? Remember desire, desire, desire?

The summer river.
It’s happy to walk across it.
My hands with zori sandal.

—Buson

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Dog River, Berlin, Vermont