The limits of what we do.

Friday night, driving home along a familiar road from visiting friends, I stop by the elementary school. Solstice, the Strawberry Moon, the daylight lingers, and the dusk is long, multiple hues of blue. No one’s there, of course. I follow the path along the wetlands. Shimmering with lilypads and twilight, the water chirrups, sings, buzzes. Fish leap and splash. I loiter, and the dusk closes in. Still, I keep walking, following the path through the brushy woods up a slight hill, so I can get to the other side.

In my twenties, I had a tendency to get lost in the night woods, stumbling off the path. Years before cell phones, we were always searching for flashlights with working batteries, to visit somebody in a remote cabin. But I’m in familiar territory, and I take my time, in this bowl of evening, letting the cacophony of the wild chorus diminish my stringy thoughts.

I haven’t been back here for a good long while, but this school and the town and the library where I worked was a warm place, with its own complicated stories, sure. Those were the years when my life fell apart. I pause, hoping to see the quicksilver flash of a fish. Across the wetlands, a single vehicle rolls along the road. Maybe it’s the passage of time, or the evening’s mellifuous beauty, but I see suddenly that I was following two strands of my story in those years. I was leaving my husband (and for months, I wasn’t at all certain how to do that), and I was also recreating my life (and how exhilarating and hard that was, too.) I’ve written about my struggle with addiction; when I began to lift that veil, my fierce hunger quickened for what I had wanted all along — to pursue my own creative and often dicey life. In this throbbing evening, I sense the limits of language, that words fail here, that to divide creation and destruction into two words, held in two hands, is illusory.

The fish I didn’t see smacked through the water. Fireflies winked around me as I threaded my way back to civilization in the dark.

“Train Ride”

All things come to an end;
small calves in Arkansas,
the bend of the muddy river.
Do all things come to an end?
No, they go on forever.
They go on forever, the swamp,
the vine-choked cypress, the oaks
rattling last year’s leaves,
the thump of the rails, the kite,
the still white stilted heron.
All things come to an end.
The red clay bank, the spread hawk,
the bodies riding this train,
the stalled truck, pale sunlight, the talk;
the talk goes on forever,
the wide dry field of geese,
a man stopped near his porch
to watch. Release, release;
between cold death and a fever,
send what you will, I will listen.
All things come to an end.
No, they go on forever.

— RUTH STONE

In the edge…

Midafternoon as a storm threatens in, I’m at a stretch of lakeshore where I’ve never swum, and I push in. I’m on the prowl for an eagle, which I never find, and the day has grown muggier than I imagined.

What a month of May this has been. My mother’s death ripples through the amazing forsythia and lilac season, through writing and the steady complexity of work I do for the local Selectboard. At a nearby farm, I buy hothouse basil and tomato starts. A woman I know slightly strikes up a conversation. In the past, our lives ran on weirdly similar tracks, involving divorce, sudden visits from the FBI, the miasma of disorientation. Now, we swap mother stories beneath an enormous lilac. I breathe in the blossoms’ scent.

A few years back, I volunteered in my youngest’s elementary school classroom to assist with a nature program that the kids loved. Naturalist and artist, the teacher kept using the phrase “in the edge.” She pointed out that life thrives at the crossing borders of field and forest, of riverbank, the edges of a homogenous world.

I’m in the edge these days. May’s heat notwithstanding, the water is bitterly cold. I swim out with my lousy swimming skills, my garden’s dirt washing away, the storm clouds hammering together over the glassine water, some of the day yet to come. On the shoreline again, sharp stones gouge my soles.

What twenty bucks brings.

My father asked me to include the whole W.H. Auden poem I quoted in the previous post. The poem reads:

Stop all the clocks, cut off the telephone, 
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

I’ll add this, too: a stunning blossom year for the plum tree my parents planted years ago. They bought the tree for twenty bucks. Would a fruit tree take in the desert, my mother wondered. My father reasoned, Heck, it’s twenty bucks. The tree will grow, or not. The tree thrived.

Stop all the clocks.

Santa Fe, many years ago

In this space, I’ve stepped between the mossy threads of my own life. For many years, my mother who lived far from me kept up with my life through my blog. I’d started writing stonysoilvermont the summer my then-husband and I split up. I was about to publish my first book. Although I’ve considered quitting, I’ve kept on, the disciplined scraps of this writing feeding into my creative life.

So it seems right to acknowledge my mother’s passing over into the next realm. A woman of nearly indomitable strength, she was ill for many years and surmounted multiple surgeries and illnesses. But none of us are mortal. My mother, who was a nurse for decades, knew this more keenly than most people. When I was a girl, she returned every morning at breakfast with stories from the hospital, some funny and some heart-wrenching — a child with leukemia, a cab driver shot point-blank in his head. One July morning, she carried home an orange kitten. We named him Oliver, and he lived a long full cat life.

Same, too, with my mother, a woman whose strength and passion shaped my own. In her later years, disease made her wander back and forth in time, into places where none of us could follow. My mother would have wanted us to grieve the end of her life, but not to fall dramatically on our knees. Raised a Lutheran, she was imminently practical. Nonetheless, I remember when I was 21, and my mother grieved her own mother. She stopped all the clocks.