Author: Brett Ann Stanciu

Ordinariness.

/ Brett Ann Stanciu / 1 Comment

On a day of yet more snow, of wind and cold, I’m reminded that people still keep on with their lives. Living doesn’t wait for convenience.

At the post office, I mail off a copy of my book. The woman who weighs my small package insists this is “sugar snow,” an early spring snowfall that will lengthen the maple syrup season. We sugared for years, and this kind of snow always meant a break in boiling and a chance to wash filthy snowsuits. The upcoming forecast is for as near-perfect sugaring weather as possible. Sugaring is the epitome of day-to-dayness — be smart, keep your eyes open, do the best you can — with no guarantees of a good or even decent season.

We talk for a few more minutes about shoveling snow, and then I head back out into the town’s Saturday morning. On my walk home, I stop in at the coffee shop and stand in the window drinking an espresso and staring out at the traffic struggling on snowy Main Street. There’s the usual confusion of the three-way intersection so many don’t understand — two stop signs and a blinking yellow light — as if the calculus of two stops and one yield doesn’t make sense. Standing there, I wonder if it makes sense mostly to those who use these streets day after day.

A year ago, the coffee shop’s tables and chairs were closed for seating, and I wondered if I would ever bring my laptop back here, to my favorite table where I once wrote a book. A year later, here I am, drinking coffee, surrounded by maskless people laughing and talking, writing notecards, going on about their lives. On this inclement Saturday morning, that seems nothing shy of a miracle.

“The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.” 

~ Annie Dillard

Blackbird.

/ Brett Ann Stanciu / 6 Comments

I’m late to a meeting at the library I’ll participate in when I stop in the parking lot. In the wetlands behind the library, a red-wing blackbird sings. I can’t see the bird. This isn’t a flock; a bird calls and chirrups, that old familiar, unmistakable sound of spring. I’ve driven, in years past, on the hunt, just to hear this bird.

A few years ago, by chance I met a friend outside the Woodbury, VT, post office. We stood talking about something we found mutually so enjoyable, while in a winter-bare maple tree, a flock of these beauties sang. Spring! we marveled.

This year, I remember how long and hard mud season is, most rightfully a season worthy of its own true name. Hence, love of little things like tiny birds.

The river is moving.   

The blackbird must be flying.   

~ Wallace Stevens, “Thirteen Ways of Looking at a Blackbird”

Little Walk.

/ Brett Ann Stanciu / 2 Comments
Our basement door art.

When my daughter and I return from a walk tonight, we stand for a moment outside our house in the dark. The moon is a bit of a creamy curl over our roof. Mighty Orion stands at his guard in the constellations. Whoever dug this house’s foundation in the sandy soil, carefully set the fieldstones, and built this home has long since passed out of this world. People have lived and fought and loved and died in this house. It’s March and Mud Season hovers over us, freezing, thawing, freezing, and eventually the thaw will win out for the summer. Upstairs, my youngest daughter puts her face to a window. We go in, leaving the stars and the night to their own particular magic.

“It may be important to great thinkers to examine the world, to explain and despise it. But I think it is only important to love the world, not to despise it, not for us to hate each other, but to be able to regard the world and ourselves and all beings with love, admiration and respect.” 

― Hermann Hesse, Siddhartha

Birthday.

/ Brett Ann Stanciu / 12 Comments

Today my father is 85 — an extremely notable birthday. My father was born in the Depression, son of Romanian immigrants. His life spans through the second World War and incredible social changes, and he’s lived in Michigan, in Europe, in New Mexico, and in New Hampshire where he and my mother raised their three children.

This morning I woke from a dream about the blue Volkswagen Beetle my parents bought in Germany, not long after they were married, and shipped back on the boat to this country. They drove that beetle most of my childhood. We hiked and walked all through my childhood, too, always getting the lay of the land wherever we were. One weekend, the VW’s battery was on the fritz. We pushed the car to get it started, then parked on a hill at the trailhead, hiked, and rolled the car back into life.

Afterward, we stopped in a New Hampshire village, parked again on a hillside, and walked into town. He bought us ice cream cones at an old soda foundation, and we stopped in a used book store. Back at the VW, he had us push the little blue car, then he jumped in and popped the clutch. At the bottom of the hill, engine idling, he unrolled the window and leaned his head out. “Hop in!” he called to his kids.

By twist of fate, my parents, like so many others, are entering very old age in a pandemic, with immense challenges there’s no need for me to reiterate. But on this March morning, I also woke remembering 24 years ago, the day my then-husband and I first made syrup from our 2,000 tap sugarbush. In the cold, I walked back up the house, called my father, and wished him a happy birthday. We had made fifty gallons of syrup, and that sweet golden flow seemed miraculous. A year later, my parents visited and met their first granddaughter.

March is the season of promise that we live through, year after year, ice and gloom yielding syrup. Such sweetness.

Testament

by Hayden Carruth

So often it has been displayed to us, the hourglass
with its grains of sand drifting down,
not as an object in our world
but as a sign, a symbol, our lives
drifting down grain by grain,
sifting away — I’m sure everyone must
see this emblem somewhere in the mind.
Yet not only our lives drift down. The stuff
of ego with which we began, the mass
in the upper chamber, filters away
as love accumulates below. Now
I am almost entirely love. I have been
to the banker, the broker, those strange
people, to talk about unit trusts,
annuities, CDs, IRAs, trying
to leave you whatever I can after
I die. I’ve made my will, written
you a long letter of instructions.
I think about this continually.
What will you do? How
will you live? You can’t go back
to cocktail waitressing in the casino.
And your poetry? It will bring you
at best a pittance in our civilization,
a widow’s mite, as mine has
for forty-five years. Which is why
I leave you so little. Brokers?
Unit trusts? I’m no financier doing
the world’s great business. And the sands
in the upper glass grow few. Can I leave
you the vale of ten thousand trilliums
where we buried our good cat Pokey
across the lane to the quarry?
Maybe the tulips I planted under
the lilac tree? Or our red-bellied
woodpeckers who have given us so
much pleasure, and the rabbits
and the deer? And kisses? And
love-makings? All our embracings?
I know millions of these will be still
unspent when the last grain of sand
falls with its whisper, its inconsequence,
on the mountain of my love below.

Demian. Hermann Hesse.

/ Brett Ann Stanciu / 4 Comments

This afternoon, I tore through my bookshelves searching for a paperback copy of Hermann Hesse’s Demian, a book I first read in high school. The book above — brand-new, Harley Rustad’s Lost in the Valley of Death — reminds me of Demian. Like so many other people, in some ways reading Hesse as a young woman shaped my life, every one of my years off the well-trod path. Demian has reappeared at certain keys points in my life, always rising with a strangely mysterious power. At the end of a very long winter, that book returns to me like a breath of spring air.

Fittingly, perhaps, I’m unable to find my copy. Maybe that hardly matters. For the first time in months, I take a long hatless walk, listening to the singing birds, remembering the unstoppable power of spring, and that the world wraps around us in ways we understand, and in ways we’ll never comprehend.

On this sunny Sunday in Vermont, here’s a few lines from the incomparable W. H. Auden on the nature of war. For more about this poem, the New York Times has an essay today.

About suffering they were never wrong,

The Old Masters: how well they understood

Its human position; how it takes place

While someone else is eating or opening a window or just

walking dully along…

Q&A.

/ Brett Ann Stanciu / 2 Comments

My teen and I are in an office filling out paperwork and the last question asks her how apprehensive she is about dental work.

She stares at me. “Why on earth,” she asks me in her reasonable way, “would I reveal anything like that?”

I note it’s a standard question. Her answer: that’s a ridiculous question.

It’s another cold afternoon — a mostly sunny day in Northern Vermont — in a winter where cold has now dragged on well beyond its welcome. We’ve driven a little distance and taken a detour along a river whose middle has thawed. Only its shores are frozen.

A couple of decades now into parenting, I’ve observed children are formed by their parents’ lives — and not, too. She’s driving, and I seem to have taken up residence permanently in her passenger seat — a place I inhabit uneasily and definitely gracelessly. We drive and talk. Youth, I think, repeating the word soundlessly, like a mantra; I’m drawn to its utter ebullience and brashness, like the sunlight we all desperately need.

We remark on the price of gas. Our sheer luck at the happenstance of living in the Shire of Vermont right now. Of the war in cities and villages and homes on the other side of the globe.

At our house, the icicles on our covered porch are exceptionally skinny and long this year. In the early morning, the ice begins falling in spires that break on the wooden porch. So many questions, and my answers are so poor. Keep asking.