Post-Flood, the Chaos.

I keep writing about this flood, because the flood’s marked our summer: before and after. I’ve written that our house was spared (thank goodness, thank goodness), but the pieces are all around us. Immediately post-flood, such an outpouring of generosity, and then, the predictable, the wearing down, the exhaustion, a growing sense of uncertainty. Rain falls and falls. We can no longer ignore that the summer has been wet and cold. And yet, how selfish it feels to complain, when we are in the Shire of Vermont.

My own saga unfurls publicly in the wake the flood. The property my ex-husband owns is posted for a tax sale; it’s been six years since he paid more than pennies on this bill, sovereign citizen that he is. My name is posted in the tax sale, that the Court removed my name from the deed in our divorce. I’m drawn into his life again, the facts of my life bantered about with people I know and those, I’m sure, I’ve never met.

The property is valuable — 92 acres with a large sugarbush. In the midst of this, someone I know from long ago phones me. The morning is dark, and I haven’t turned on any lights. His words are so kind it’s like sunlight in this gloomy summer. There’s no resolution here, no possible decent outcome. I will likely never speak to my former spouse again. I’ll never own this property. And yet, my life will hopefully go on and on, for decades yet. For these timeless moments, I drink in that unbidden kindness, let it fill me. I feel it within me, the possibility of how my life might turn.

And, because it’s August, one of my favorite Hayden Carruth poems, August First.

Late night on the porch, thinking
of old poems… The sky
is hot dark summer, neither
moon nor stars, air unstirring,
darkness complete; and the brook
sounds low, a discourse fumbling
among obstinate stones….
I wonder what became of
purity. The world is a
complex fatigue. 

“Distrust everything, if you have to…”

As a firm believer in clotheslines and keeping my bills low, we don’t have a clothes dryer.

In past rainy summers, with children in cloth diapers, I spent time in laundromats on Sunday mornings before selling maple syrup at a farmers market.

After a span of rainy days, I eventually break down (again, this no-dryer commitment might be simply stubbornness or gratuitous ego, pushed far beyond rationality) and load two dryers in the Hardwick laundromat. I bring a book and read on the porch of the Inn across the street. Behind the Inn, the Lamoille curves through town. On the river’s other side, a house burned earlier this summer. Now, what remains slides down the bank, piers of a narrow porch first, the back clapboard wall soon to follow.

Unintentionally, I’ve chosen busy Friday afternoon, and the intersection is jammed with traffic and pedestrians. I’m reading about schizophrenia and crime, about madness and civilization, and I keep looking over my shoulder at that empty house and its unanswered question of what’s happening here?

Eventually, I close the book, walk across the street, and fold our clothes warm with the dryer’s heat. Beside me, a little girl and her father study the line of dryers. She’s wearing a dress with bunnies. Seeing me, she pulls out her skirt. “Pink,” she offers.

I nod and answer, “Great-looking rabbit,” and then I head home.

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

— Galway Kinnell

Getting Lost & Found.

There’s that old saying You can’t get there from here, which in Vermont means, It’s not easy to get there, but use your wits and you can. Yesterday afternoon, leaving for a Vermont town I’d never visited I hedged bets on the map, avoiding the route that I guessed had wash-outs and detours yet, and headed down two-lane blacktop through villages where hydrangeas are just beginning to bloom.

I was invited to read with Alexander Chee at the Meadow Meeting House, a righteous 1830s former Baptist Church. The ceiling was stenciled in original colors, over straight-backed wooden pews not designed for the listeners’ comfort. The entryway has two wood stoves. The black pipes extend over the pews before exiting. That would have sufficed for heat.

By chance (or maybe not), Alexander Chee and I each read about spaces — churches and homes — particularly apt in that lovely building that had its own generations-long story. It’s a question that fascinates me: how do we hold the past and also make our lives anew? The question links inexorably to the physical places where we live.

Afterward, in a sunlit house surrounded by gardens and apple trees heavy with fruit, I met a woman who’s the daughter of a long-ago friend of my father. Our conversation pulled me back to my college days. (How would I ever explain that I first fell in love with rural Marlboro College lying in fields, awestruck at the undiluted Milky Way and constellations?)

Driving home, threading my way back along unfamiliar roads, I had the strange sensation I held that afternoon and that conversation in my ribcage. Outside of my town, Hardwick, I had a long wait at a temporary red light on the broken highway. The asphalt washed down the Lamoille River. I stood up and leaned out my Subaru sunroof. In the gloaming, I saw how the river had cut a new course, its old path a great swath of boulders.

In the cavern of my ribs: wildfire smoke. The stories of my past, that afternoon, the future, too.

Promising Sign.

Mist lies on the valley these mornings, indicative more of mid-August than this tail-end of July. 2023, the Vermont year with scant summer, thus far.

Nonetheless, on a ravishingly beautiful Sunday morning, we walk along the rail trail beside the Lamoille River. The trail is closed due to the flood’s multiple wash-outs, and there’s no bikers, but by foot and dog paw the walking is easy enough. The debris along the river is appalling. Two by fours with outlets lodge in treetops. We follow the silt and gravel, studying the way the river lifted, changed its course.

This morning, thrush chortle, and the cicadas hum their midsummer serenade. Distantly, across the river and hayfields, traffic grinds along Route 15. Where we stand, my daughter and I would have drowned, three weeks ago, as the river howled and smashed its way west, and then north to the sea.

Now, easy-going end of July.

I glean a washed-sparkling piece of white quartz, half the length of my thumb, in the shape of Vermont, and slip it into my pocket. I’d written exactly this rock and shape and size into the beginning and end of my novel. An auspicious sign — imagination incarnate — or hopeful dreaming at least.

…. Last, I’ve been generously invited to read at Meadow Meeting House, Corinth, Vermont, with the esteemed Alexander Chee, this Wednesday, August 2, 4:30 p.m. Please come if you can.

Four Feet of Mud.

Friday afternoon, when the Fed Ex man drops off a package, I ask what he’s seen on his route, his perception of flood damage and how folks are faring. In places, he says, nearly nothing. In others, houses perch over streams.

This stranger keeps going — and I keep asking questions — about his experience in the national guard, a tour in Iraq, and then a month in New Orleans after Katrina.

We’re back in blistering July, and I’m sweaty and dirty from weeding in the garden. On our sandy hillside, this summer the grass flourishes, a benefit of months of rain. I’ve finally mowed the grass (hardly a top priority these days in our house), and that ineffable and sweetly delicious summer scent of cut grass washes around us.

Our conversation bends back to Vermont and our washed-out valleys, how Hardwick’s Walgreens had four feet of mud. He looks at me and ask how tall I am. It’s true; I’m not that much taller than four feet. For a moment, we stand there, two strangers, contemplating four feet of mud. Then he heads to his truck.

Which pieces of our world will go back together, and which won’t? It’s a metaphor for many of us, perhaps.

All the way I have come

all the way I am going

here in the summer field

— Buson

Experiencing the Unprecedented.

In the night, lightning again.

Restless, I stand outside, the few lights of the village scattered like electric breadcrumbs. Long past midnight, a lone semi grinds along Route 14. Otherwise, no one.

July, balmy, sweet with the scent of the neighbors’ newly cut lawn. Again, I’ll reiterate how I’m lucky to have bought a house on a hill, that the Vermont’s floods haven’t so much as cut a channel through my garden.

And yet here’s the thing: I’ve spent years of my life wandering the unevenness of riverbanks, beginning with the mighty Nooksack when I lived in Washington. I’ve spent hours now wandering the silty Lamoille banks, its edges and bridges and trees crammed with tangled branches and uprooted trees, with every imaginable broken bit of junk: kids’ toys and potty seats, tarpapered walls, tires, pipes and plastic bags and slews of clothing. Two cars, one flipped upside down, hammered by boulders, not easily identified as a car.

There’s nothing for me to gain or find here, save for the chance conversations with strangers and acquaintances who appear driven in the same way I am, wading through muddy weeds and beneath fallen trees, insects devouring my ankles. This is the edge territory, where dismal human activity bleeds into the roar of nature. I scramble up the bank and take the long way back to the pavement so I can pass through a thicket of blooming cup flowers, green stalks and golden blossoms taking in my body.

In the New Yorker:

We keep experiencing things that are unprecedented, worse than anything anyone can remember, even as we’re told that they will become common.