Kid Chat

The May my younger daughter was born, rain fell every day, from May 1 to May 31. At the beginning of June, cornfields sprouted shoots of green, and the summer turned sweltering. We are yet in the rainy phase. Everyday, my daughter, now nearly 12, claims the apple tree leaves unfold their leaves noticeably wider. Fragrant blossoms and pollination are imminent. This girl changes, too, on the tender cusp of childhood and adolescence, past the why stage of toddlerhood and wondering at the pieces and people in her life.

The other morning, she asked about a church’s billboard sign: Jesus was a low-wage worker. She asked what Jesus did; I answered he was a carpenter, not a low-wage job in our town. Then what does the sign-writer mean? We wonder, who’s telling this story, anyway? The story of Jesus? The story of our town?

Then we were at her tiny school, the handful of graduating sixth graders wild about their trip to Maine, nearly trembling with excitement. On my way to work, I stopped again at that sign, pondering its existential statement. Rain fell lightly, and I sank my fingers into the church lawn’s soil, glad to see grass for the first time this year, long as my fingers.

….art and ideas come out of the passion and torment of experience; it is impossible to have a real relationship to the first if one’s aim is to be protected from the second.

– James Baldwin

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Hardwick, Vermont

 

What Is

When I was in graduate school and teaching an intro creative writing course, I was walking down the library steps one afternoon and suddenly realized I knew almost nothing about writing. Why nouns and verbs, for instances? Why anything for that matter?

I stood there in the rain pondering the difficulty of creative work. I also guessed it would always be hard for me.

That, at least, decades later I now see, was one thing I was right about in my life. Since then, maybe I’ve gleaned one or two things: sometimes less is stronger, and sometimes you need to push and push, going for broke.

Here’s a poem from David Budbill’s lovely posthumous collection.

Say what you see.
Get it down right.

Accuracy is plenty.

What’s here
is good enough.

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Craigslist Adventure, Again

After 10 pm last night, in the rain and profuse dark, a stranger with one eye appears, wanting a military truck I’d posted on Craigslist. My teenager grabs a flashlight and insists on coming, too.

By his car headlights, he examines the huge beast – drivetrain, winch, cab, engine – noting with disapproval the Glock bullet holes. What he’s looking for, precisely, I don’t know, but I have a real sense he knows.

The rain lets up, and we stand in his headlights, my tall daughter just behind me, his car packed with three men and the engine running. He reeks of cigarette smoke and sweat, and he’s panting for breath. We talk a little about money and about his cancer; he’s likely telling the truth. Wheezing, he says, “I keep telling the doctors you can’t kill the devil.”

He says he’ll take the pile of mangled gutters for scrap metal, and then I offer more: an old plow, tire rims, twisted fencing. He’s a scavenger. But I see more, too, as I can’t help but stare at that loose pocket of flesh where he once had an eye. When I became a single mother, I began toeing a line where I slip sometimes over into grifting, needing childcare, a car repair, property tax money: a place of needing assistance I find incredibly to my dislike. In his drooping flesh, I see a dimension of my own self mirrored back.

We part ways. Walking back through the sweet-smelling, wet spring woods in the dark, my daughter agrees I might have lost that transaction, although I have one less problem and grocery money in my pocket. More: I have two eyes. She laughs at the night’s oddness as she heads to bed; we mutually agree to let this one go.

And that vehicle, built long before I was born, witness to what I can’t imagine, heads to its next chapter.

There are moments when the heart is generous, and then it knows that for better or worse our lives are woven together here, one with one another and with the place and all the living things.

– Wendell Berry

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Soil Writing Exercise

In a writing workshop I attended years ago, a professor grilled another student about a field she had recently driven by. What emotion did the field evoke in you? Older than me and not a close friend, the student was a woman I admired. A single mother, she was simultaneously brassy, insecure, funny.

The professor kept asking questions: Any moon or starlight? Rock piles? Did a river or trees border any edge?

The woman paused and finally said one word: sad. The emptiness of the harrowed up field evoked a sense of waste. The conversation might have ended there, but the professor pushed a little further, probing, and the woman said she thought the sorrowful emptiness was just one long snapshot of the field’s story.

That evening, we were not in our usual seminar room, clumped awkwardly instead in a half circle of chairs with writing desks attached. The overhead fluorescent lights made the windowless room uglier than it needed to be.

Every now and then, I find myself wondering what happened to this woman, and which way her story bent.

In the end you should probably know your characters as well as you know yourself. Not only what they had for breakfast this morning, but what they wanted to have for breakfast.

– Colum McCann

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Lovely Girl

Oh… parenting a teen. More daffodils, please. Devour sunlight. Dig up the first shoots of emerald garlic and fry the savory greens with eggs. Read.

Nourish a flourishing sense of humor.

When we get into a mood of complaining about life we often start telling this long epic, a story about our personal journey. It involves a series of misfortunes, trials, and tribulations. It often starts with being born into the wrong family, with the wrong parents, and with very inauspicious circumstances.

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The Ole Golly Space

When I was about seven or so, my older sister read me Harriet the Spy, a book she liked so much she wanted to share with me, who couldn’t yet read that length of novel.

Early in the book, we hit a plot point of great excitement, when Harriet takes the journey to visit Ole Golly’s mother – her nanny’s mother. Oddly enough, I can still remember the rented townhouse living room where we read, with the glass doors leading out to a balcony suspended over a scrubby backyard.

It’s the ‘Ole Golly’ space I find in reading – and in my own life – forty years later. Open up that door. Introduce me to someone who will make think differently about this life. Clearly, I am no longer seven, my sister and I gnawing on the ends of our braids, but don’t we live the same things in our lives, over and over, and yet all the time changing?

Well, you must realize, Harriet, knowing everything won’t do you a bit of good unless you use it to put beauty in this world. True or false?

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Hardwick, Vermont