Author: Brett Ann Stanciu

Another Plot Point.

/ Brett Ann Stanciu / 1 Comment

A friend inquires if my summer’s adrenaline, the post-chemo and post-surgery and cancer-remission wave of energy has waned, and, indeed, that has, the winter and cold and what’s called fatigue but is actually a lifeless bleak plain setting up quarters in my household.

Winter is a reckoning time. In a strange kind of way I begin to see the pieces of my life jostle into a pattern — childhood and college years and those years in my twenties when I ran back and forth across the country and then to northern Vermont, how I built a marriage and house, the young mothering years of children and friends, how we taught ourselves to sugar and run a business and I taught myself to write. Then I broke that life apart and took the children, created a new life, kept writing books, learned to view the world askance to keep danger from our door. Danger slunk in anyway. The world, indeed, is cause and effect, not a linear straight-shot but a dense sphere. Surely the human story is the same for you and me, with its endlessly profound and terrible and awesome variations.

This morning, the harsh cold has relented, just the slightest, snow sifting down, the blue dawn pushing away the night’s darkness.

I’m encouraged to seek “protective factors” which I glean as my daughters’ merriment, a purring cat on my chest as a I read by the woodstove, a walk with a friend on a snowy road. My heart longs for the season of those #10 Pond swims, with friends or without, the sun hot on my bare knees. Spectator to the loon world. Not iced coffee but hot coffee. Now, these days of small light. In a considered burst of optimism, I mail a carpenter a check in a card with snowy evergreens and seal our agreement. Come when the weather splits and put two more windows in my house. Open the view of the valley and the village. Another plot point.

What would people look like

if we could see them as they are,

soaked in honey, stung and swollen,

reckless, pinned against time? — Ellen Bass

To Know the Dark.

/ Brett Ann Stanciu / 2 Comments

This is the season of scant light, the day’s heart sooty at best.

Oh, the darkness, keeper of so many secrets. My garden’s soil where rough-edged chard and calendula seeds germinate, where tree roots clench and foxes den. In the summer, the night sounds sing of lust and procreation, hunger and scavenging. The night is the realm of star and moonlight, of the mysteries of creation and romance. And more—in all those hospital nights I endured this past winter, I often woke drenched in nightmares, disoriented. Gasping, I whispered that I was still here, still part of this world. A hospital at night is a ship full of humans, listing its way through uncharted territory.

This morning, crossing over gradually into the days of longer light, into this winter that has barely begun to breathe its life, I carry my glowing ash bucket outside and stand in the cold. Below me, the village lights sprinkle through the valley. My neighbors, early risers, too, have not yet snapped on their kitchen lamp. The wind stirs, and I shiver, barefoot in my Danskos, my hearth divided between stove and bucket, inside and outside, a small thing to consider. I keep standing, keep shivering, my blood running hot.

To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings. ~ Wendell Berry (of course)

Keep Reaching.

/ Brett Ann Stanciu / 1 Comment

Dark as a pocket or the inner chambers of my heart — so goes these December nights. The nights descend earlier, more afternoon than evening. I randomly meet friends on Main Street with the darkness kicking around my ankles. We step into a community center, pulling off our coats and hats and talking about random things — the price of gas, the upcoming holidays. For those who don’t live in a northern climate, a public building in Vermont sometimes has a curtain just the inside the door to stave off winter’s wind and snow. I push aside the curtain, and we step into a well-lit room.

It’s a simple/not simple thing. We eat bowls of hot soup and chunks of fresh bread at a long narrow table. A couple I’ve never met sits beside me with a brand-new infant, gustily sucking. I refrain from bending my head and breathing in the child’s milky scent.

Darkness presses against the windows as we talk and keep talking, and eventually the three of us are all leaning our elbows on the table, our heads propped on hands, spent. People appear, say hello, offer a hug, disappear, and still we’re talking about what might happen with the schools and our old parents and the persistence of memory from early childhood. How do we reconcile our stories? Escape or rewrite our stories?

Eventually, sodden with sleepiness, I pull on my boots and step out. The weather has turned, and the sidewalk is slick. I head out of the village. The wet air is not so much clean but fresh, a mystery of fomenting things both lovely and fearsome. But for now at least, I carry these gems of companionship in my heart. A pleasure, a warm joy.

…. and a poem from a friend….

Keep Reaching

The trick is to keep reaching

for the light you will never touch,

and to be nourished by the stretch

toward impossible things.

The trick is to bloom where you are,

not calling it a failure because

you wanted a different outcome.

Live each day devoted to awe, 

so that when a monarch lands 

on the tip of a coneflower, seeming 

to swell with that sudden infusion 

of sweetness, you don’t miss it. 

So that, while you watch, a pair 

of hard-won wings seems to open 

and close, and open again in you.~ James Crews

The Featherweight.

/ Brett Ann Stanciu / 4 Comments

“Once I witnessed a windstorm so severe two 100-year-old trees were uprooted on the spot. The next day, walking among the wreckage, I found the friable nests of birds, completely intact and unharmed on the ground. That the featherweight survive the massive, that this reversal of fortune takes place among us — that is what haunts me. I don’t know what it means.” — Mary Ruefle, Madness, Rack, and Honey

Small Celebrations.

/ Brett Ann Stanciu / 7 Comments

Each morning presents a new skein of yarn, knotted and jumbled as if carelessly carried in the bottom of my backpack, beneath leaking and softening apples, a sandwich wrapped in wax paper whose crumbs have escaped, the shuffling of notebooks, pricks of pens.

A friend asks me to xc ski this weekend. I pause and then warn her of possible abject failure. Can I balance? Can I even snap boots into bindings? Talking, I think of my ski boots in the upstairs closet. A year ago, a knitting companion asked to borrow needles: an inconceivability. A year ago, I couldn’t walk up my house’s wooden staircase, let alone swing open the closet door and shuffle through needles. I might as well have considered mining for gold with a plastic spoon. Pulling together boots, skis, poles: that alone would mark a kind of success. I am a lousy skier, but the glide of ski over fresh snow has given me so much pleasure. I imagine again stopping at the trails on my way home from work, how the cold winter twilight gleams on snow.

A theme that emerges in my writing over and over is order versus chaos. How laboriously I endeavor to keep the chaos from my life, from vacuuming the ashes and bark shreds around my woodstove to ordering my work life. Be productive. Get my work done…

When I first emerged from surgery and chemo this summer, I flung myself into living with buoyancy and joy. Now, I am in the longer stretch — grateful to be here, but mindful of sinkholes. A longstanding quarrel in town rises up again and grabs at me. I remind myself, this was not my doing and not my requirement to undo. What I do, instead: I force myself up from the couch, lace up my boots, and walk. In town, I fill my backpack with library books, zip my coat against my throat as the gloaming sprinkles down. I take the longer walk home through the neighborhood built near the coal-dark Buffalo Mountain, these houses built for Hardwick’s granite workers, a hundred years and more ago, once filled with hardscrabble people from other places, seeking not a fortune but a livelihood. The kind of work where a slip or accident had horrible consequences. I pass a house with a family of small children, strung with glowing lights, sleds jammed in snowbanks. The empty house where the old woman with the two barking dogs disappeared in my illness, and another empty, for sale. On my road, I’ve strung red globes in an apple tree, bits of brightness, small celebrations, better than order.

The oncologist… “knows not to describe everything all at once.” — Marion Coutts, The Iceberg

Among Lilacs-Gone-to-Sticks…

/ Brett Ann Stanciu / 6 Comments

Late afternoon in Vermont December is twilight; I’m hustling along my road, a glass container of hot soup wrapped in a pink cloth in my hands, and I stop for a moment and talk to the neighbor boys who are sledding. The light is dim enough that I squint to count the three children, shadowy figures in snowsuits. The cold is fierce on my face. This day has been sprint from one thing to another, more yet to come, but I pause, that glass steaming in my mittens, the sunset sprawling over the great sky, the stars already emerging in the east’s darkness. A small moment, a tiny exchange of hellos. Such luck to be in this ordinary afternoon.

I walk through the parting in the lilacs-gone-to-sticks for the winter, study the bird feeder hung in the mock orange, the seeds sprinkled in the new snow. Behind me, the boys call to each other. In their lit kitchen window, I see the boys’ parents. Dinnertime nears. The cold is so mighty a body without shelter could and would perish. In the snow that gleams with the last of the day’s light, my boot prints lead to me, my lit window and cat, the upstairs bedroom dark where I stood a year ago and wondered if I would die. Wrong question. Not if but when. For this moment, however (a great big however), I remain in this simple-not-simple equation of laughing children, hot soup, the night swooping in. I study my bootprints with satisfaction and then head towards my own kitchen door.

“The Way It Is”

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread. ~ William Stafford